Bass in your face!
GMC Admin & Bass Instructor
28 years old
Joined: 30-November 07
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Last Seen: Yesterday, 10:59 PM
Local Time: Oct 23 2014, 05:04 AM
14.976 posts (6 per day)
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16 Oct 2014
First I must admit that I have never bought a used guitar in my life.
Thinking about it, there were several reasons to it ranging from - who knows what I'll be getting to crazy ones like : guitar needs to be new so I can channel my musical energy into it
I have been told million times that buying used instruments is a good idea so I wanted to check with others what is the general consensus on it, do you prefer new or used and why? For example, I would hear an argument that guitar needs to be "played in". Is this a myth or there is some truth to it? Also that guitar sounds better as it ages, is this one true? Never really put much thought or research into it.
9 Oct 2014
I was reading another topic here in the forum and I was wondering, how many products (music gear related) are nowadays outsourced and made in other countries?
Does this still matter as much as it did in the past or the quality has increased over time.
Obviously countries like China has taken the lead role in manufacturing products the world consumes.
How much is there difference really between USA, Mexico, Indonesia, China and Japan made guitars in terms of sound?
I haven't been really following this, for example are Marshall amps still made in England?
Does it put you off when you see where the guitar was made if its foreign factory?
8 Oct 2014
I often find myself, when listening to music, to be isolating different instruments in the mix. Basically, I would shift my "ear focus" and listen to what the bass guitar is playing exactly, than rhythm guitar, fills guitar, drums etc. Thinking about it now, it feels really cool to be able to do it. Basically it is like you increase the "resolution" and zoom in on just specifics which make up the whole song. On the other end, it can become a curse as well if you start doing it unintentionally. This can also be done when attending live gigs and concerts, it is even somewhat easier to do depending how good the sound is.
I was wondering if anyone has been doing this?
Guess it would be something only musicians can effectively do when listening to music. It is our super power and curse.
I'm writing this as it opens up one important subject related to practicing and learning how to play - LISTENING.
When I try the described "focus thing", it always hits me in the head how much I'm not usually listening actually, when listening to the music/backing track etc.
It can be a great drill and you can do it like this :
1. Turn on the song or backing track
2. Listen to only the bass guitar to the point that you can hear the individual notes and what is going on
3. Shift your focus to drums and focus when kick and snare drums are playing, than shift focus on hi hat and try to see what notes values/rhythm is played there
4. Listen to the guitar and try to figure out different layers of guitars (if they are present in the mix)
Why would you do this and how does it benefit? When we can't play well against the backing track, we tend to not on purpose, not listen fully. It can be hard to focus on listening and your playing, but that is the only way to really get to know the backing and be able to play nicely and in timing over it (if you are having issues like keeping time and rhythm over the backing track). This is especially important when playing live with other people as there will be no fixed tempo you can just lock in with your foot and be alright. Tempo will shift and vary slightly and organically by each player in the band and in order to play as a "group", each musician needs to listen and anticipate how others will play the song. Over time, by practicing listening you'll start doing this automatically. When playing a backing track, you'll pick up some clues to the rhythm/timing be it hi hat, drums as a whole, just the kick drum or rhythm guitar. This will open up space to focus more on your playing as you'll be at the same time actively listening to your rhythm/tempo guide, even if you don't push yourself.
Try isolating lines a bit and you'll see your ear opening up. The same principle is used later on when trying to learn songs from the recordings by ear. Only difference is that this time you are also trying to figure out which notes exactly are being played.
For start, it is perfectly fine to just focus on "hearing the individual notes" and what is going on with each instrument.
3 Sep 2014
I often used Youtube as a fast way of listening to a certain song but lately the quality has been dropping considerably. Ever since the songs detection mechanisms have been added by Youtube, people have become desperate and used pitch shifting of the music to get around it. This can really be annoying and I think there should be a way to filter out "random users" who upload music they don't own from official channels. Have you also noticed this? Last time I was searching for a song, I had real trouble finding the one which is not pitch shifted. Worst thing is that I bet a lot of listeners don't even know they are listening to a pitched shifted version of the song.
Spotify and Deezer are excellent services for listening to music but it is really interesting how Youtube as a video platform naturally took the first position as being also "audio listening" platform as well.
Do you think the YT platform will become more strict in the future?
...or the beautify of it is in the certain "chaos"?
16 Aug 2014
Hey guys - I have been thinking about something.
When artists compose songs, what can be related as original and what not? What got me thinking is that I met a lot of young musicians in bands, starting out with composing and sometimes it appears as they are "afraid" to do some things musically just because it doesn't feel "original enough". This often leads to pretty underground sounding bands and songs.
I'd assume that ALL musicians are influenced by each others music? We all on purpose or subconsciously play some things that we like and feel. It can be a lick, chord progress, melody. Is it bad? IMO - NO! Does this lead to some similar sounding songs (or maybe even too similar) - probably. To me, those are still unique songs and one is not better than the other even if they look alike, use a similar lick or chord progression.
My thoughts/questions having this in mind are :
* Is it ok to paraphrase stuff you like in other peoples music, when writing your own?
* Does the above make you more or less original?
* What defines an "original" song/music really? Does this even exist?
* Is it good or bad for young bands early in their composing carriers to barricade themselves out of "stuff that has been done" in ultimate quest for something "original"? This is in question especially if the "original" doesn't actually exist.
To me every band and song that is composed (and not really purposely stolen) can be considered as original. Barricading yourself out of stuff that hasn't been done is not a guarantee of being original (after all - how can you know that it hasn't been done?). Utilizing stuff that has been done can still bring out something new, that is the beauty of music and composing.
Sorry, this can be a mind boggling topic - I just wanted to see what you guys (and girls ) think about it?
Yesterday, 09:01 PM
Yesterday, 05:57 PM
20 Oct 2014 - 21:01
15 Oct 2014 - 1:11
12 Oct 2014 - 16:58
Happy B' Bogdan wish the best for this day \m/
7 Jan 2011 - 1:47
hehe no problem :) then i hope you will have a nice party and much gifts.
8 Jan 2010 - 1:22
Happy Birthday Bogdan.
7 Jan 2010 - 23:30
Cool Bogdan! Looking forward to see/hear what you come up with, if you do :)
1 Aug 2009 - 13:27
Hi Bogdan, thanks for the add! :) Any chance of some Heavy or Thrash Metal bass lessons? ;) Even if that's not your style really, am I right? :)
31 Jul 2009 - 20:31
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