Setting An Input Recording Level, recording levels - hot and too hot |
GMC Forum > Discussion Boards > VINTAGE GMC > Community Activities and Tutorials > Recording > Recording & Mixing Classes|
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Feb 12 2008, 02:37 PM
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I've never used the L2 Nemanja but from what I've been told about it it is good - well all Waves stuff is generally good.
A large pro studio may have AD/DA that is better then the L2 however but the L2 is as good as Apogee and RME from what I've heard and it's going to be a sound that you're used to. It's brick wall limiting is v good as well and has look ahead. Personally I don't think it would hurt to have it as a back up to whatever the studio has but I would leave the limiting until the Mastering stage when everything is summed and set the gain at the console for the recording and mixing as you're suggesting. Cheers, Tony -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Feb 13 2008, 01:02 AM
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thanks....it studio they have L2 hardware in rack...so....I will wait to the masteroig process..thanks again
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Feb 18 2008, 12:52 AM
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I think that you send your recordings on mastering without anything on the master bus, but Tony can confirm that..
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Feb 18 2008, 06:39 PM
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QUOTE (Milenkovic Ivan @ Feb 18 2008, 12:52 AM)  I think that you send your recordings on mastering without anything on the master bus, but Tony can confirm that.. Generally yes spot on Ivan though with stems being used more and more and with the rise of the home studio it seems that things are changing on this. The mastering engineers I know aren't happy to be sent stems that have been 'premastered' though. Guess time will tell as to how much we all move to stemming. Also all limiters etc will have their own 'sound', or 'voice' or 'colour' etc, it's one reason why a big commercial studio will have potentially a lot of outboard so that they can pick and choose which sounds best for a particular track. Most producers though have their own favourites for particular genres. Cheers, Tony -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Feb 18 2008, 06:51 PM
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thanks Tony....buy the way...what is the best hardware limiter in your opinion
This post has been edited by Nemanja: Feb 18 2008, 06:52 PM -------------------- |
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Feb 18 2008, 07:24 PM
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I don't master v often Nemanja - much prefer to send stuff to a mastering studio. However when I've done it I've had good experiences with Chandler. That probably means I'm a fan both of analogue and maybe a more European as opposed to US type of 'voice'
 .Cheers, Tony -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Feb 18 2008, 07:46 PM
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thanks Tony...always helpfull...
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