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Sep 3 2008, 01:43 AM
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#1
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![]() Learning Rock Star ![]() Group: Members Posts: 1.982 Joined: 15-October 07 From: Leiria, Portugal Member No.: 3.056 |
I've been studying lots of theory lately and I feel that my knowledge is getting bigger, also by Kjutte's advice I've been jamming as much as I can, on different modes and keys...but there's one thing that a guitarrist needs, and that is licks.
Ok, getting licks...There's tones of ways to do it, so I saw some licks and liked them, but than I was like...I don't wanna do the same stuff in the same place as someone, so I got stucked, how do I change a lick from it's place, from it's mode? I was seeing one of Pavel's lesson, and I liked one of is licks, just not the sound, so I wanted to try and incorporate it in another mode such as Aeolian, is that possible? :/ (Things like this make me wonder how much do I really know) Thanks in advance Filipe -------------------- ![]() |
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Sep 3 2008, 02:03 AM
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#2
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GMC:er ![]() Group: Members Posts: 54 Joined: 13-July 08 Member No.: 5.481 |
Sure, it's all using the same notes, your just playing them on a different part of the neck. It may sound higher or lower, just find the one you like. Find what key it's in, figure out which mode is used to play it, and just mess around with it, take certain parts and make up your own lick.
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Sep 3 2008, 03:01 AM
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#3
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![]() Instructor ![]() Group: GMC Instructor Posts: 1.359 Joined: 28-July 08 From: Miami FL Member No.: 5.593 |
It doesn't sound like a dumb question to me, it makes sense you would like to see a typical lick with a different sound, If I get your question, you should do exactly what are thinking, take a lick for instance and move it to a different shape on the scale.
I hope this is what you are asking -------------------- |
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Sep 3 2008, 03:14 AM
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#4
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![]() Learning Rock Star ![]() Group: Members Posts: 1.982 Joined: 15-October 07 From: Leiria, Portugal Member No.: 3.056 |
For example, I have a lick...
|--6--| |--6--| |--6--| |--6--| |--6--| |--6--| |--6--| |--6--| E||--20-19-17----------------------------------------------------------------| B||-----------20-18-17-20-18-17----------------------------------------------| G||-----------------------------19-17-16-19-17-16----------------------------| D||-----------------------------------------------19-17-15-19-17-15----------| A||-----------------------------------------------------------------19-17-15-| E||--------------------------------------------------------------------------| I don't want it in here, I want it somewhere else, let's say, I want it to start on the 9th fret...do I do the same pattern? and if I want to change it to another mode? Do I have to try and fit the pattern of Ionian in this case and change it to a Dorian Pattern? This post has been edited by Rated Htr: Sep 3 2008, 03:16 AM -------------------- ![]() |
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Sep 3 2008, 03:28 AM
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#5
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![]() Instructor ![]() Group: GMC Instructor Posts: 2.279 Joined: 4-August 08 From: Argentina, Buenos Aires Member No.: 5.625 |
The lick you posted is a pattern, is a group of notes organized in 1-2-2-2-1 (the n°2 is for double repetition). So you can do this in every mode you want. Is very different when the lick is not just a group of notes but a phrase that has a melodic sound that conducts to a resolution for example. (I'm not saying that this lick doesn't but there are certain licks that have a stronger melodic feeling).
Move the starting note of this lick and make the same pattern of 3 notes (1-2-2-2-1). I hope it was useful. -------------------- |
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Sep 3 2008, 03:33 AM
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#6
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![]() Learning Rock Star ![]() Group: Members Posts: 1.982 Joined: 15-October 07 From: Leiria, Portugal Member No.: 3.056 |
Yeah it was, but not quite what I was looking for but, it was my fault to post that lick, this question kinda appeared after I saw this lick:
E|-----------------------------------13-12--16--| B|-----------------------13--12(13)-------------| G|--------13-14-13(14)--------------------------| D|--14-15---------------------------------------| A|----------------------------------------------| E|----------------------------------------------| I really disliked the sound, but I'm looking for new note combinations and this one seemed different from what I'm playing...that's the idea that made me write this topic -------------------- ![]() |
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Sep 3 2008, 04:13 AM
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#7
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GMC:er ![]() Group: Members Posts: 1.202 Joined: 25-November 07 Member No.: 3.373 |
You can move any lick all over the neck, note the intervals between the notes and just move it. The fingerings will change but the notes will be the same. All the modes in the given scale are the same notes so you can't really mess it up as long as you stay in the given scale. Figure out what notes are what, figure out the intervals between and go nuts. Go up and down octaves - it will make the lick more interesting.
This post has been edited by fatb0t: Sep 3 2008, 04:17 AM |
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Sep 3 2008, 09:08 AM
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#8
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![]() Instructor ![]() Group: GMC Instructor Posts: 4.270 Joined: 6-August 07 From: Girona - Spain Member No.: 2.484 |
Man, you are walking in the CORRECT way, congrats, 'cos it's really important.
To translate licks from one scale to another just need to study it. For example, you are playing 1st, 2nd, 3rd, 5th, 7th and 9th in major mode. If you want to translate it into a minor mode just need to follow the minor scale with contains a b3, b6 and b7 MAJOR: 1,2,3,5,7 MINOR: 1,2,b3,5,b7
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Sep 3 2008, 03:01 PM
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#9
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![]() Learning Rock Star ![]() Group: Members Posts: 1.982 Joined: 15-October 07 From: Leiria, Portugal Member No.: 3.056 |
I see, I think I'll try to see what happens
Thanks Everyone -------------------- ![]() |
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Sep 3 2008, 03:09 PM
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#10
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![]() Instructor ![]() Group: GMC Instructor Posts: 4.270 Joined: 6-August 07 From: Girona - Spain Member No.: 2.484 |
yeah, that's the key
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Sep 3 2008, 05:24 PM
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#11
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![]() GMC:er ![]() Group: Passive Posts: 1.710 Joined: 17-July 07 From: Norway Member No.: 2.337 |
I've been studying lots of theory lately and I feel that my knowledge is getting bigger, also by Kjutte's advice I've been jamming as much as I can, on different modes and keys...but there's one thing that a guitarrist needs, and that is licks. Ok, getting licks...There's tones of ways to do it, so I saw some licks and liked them, but than I was like...I don't wanna do the same stuff in the same place as someone, so I got stucked, how do I change a lick from it's place, from it's mode? I was seeing one of Pavel's lesson, and I liked one of is licks, just not the sound, so I wanted to try and incorporate it in another mode such as Aeolian, is that possible? :/ (Things like this make me wonder how much do I really know) Thanks in advance Filipe As I've told you 100 times, you gotta change the chordprogression to get another feel of what you're playing. Note: if it's a riff, it will act like the backing, so then you have to translate it into the rules of the chosen mode. This post has been edited by kjutte: Sep 3 2008, 05:27 PM -------------------- Eatsleepjam:
Nice Lesson! You said something about how it can be overused, what do you exactly mean by that ? Any tips to not overuse it ? -John Andrew Cockburn: Yes ... play it less often. ________________________________________________________________________________ Guitars: Ibanez 2570Z, Ibanez RG470 (I think?), an Ephiphone Les Paul, a Dean Baby V, and some random acoustic guitar. Amps: Marshall TSL60, L6 Spider 2 15w, L6 Spider 2 75w Pedals: BBpreamp, Boss DD-6, Boss RC-2, EBS Unichorus, Dunlop Crybaby, a Line 6 Constrictor and a Korg Chromatic tuner Computer equipment: Creative Emu Tracker pro 2.0 ________________________________________________________________________________ Click Here if you are unsure about how scaleboxes are put together! ________________________________________________________________________________ Leave a comment on my youtube videos! |
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Sep 3 2008, 06:04 PM
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#12
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![]() Instructor ![]() Group: GMC Instructor Posts: 25.396 Joined: 20-November 07 From: Belgrade, Serbia Member No.: 3.341 |
I think what the man wanted is to be able to translate one sequence into the same key, but on a different pattern. I recommend doing this, specially, transferring the sequence in all kind of positions up and down. This helps developing technique and ear too.
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