Playing Around The Chord, How to approach this "technique" |
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Playing Around The Chord, How to approach this "technique" |
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May 15 2010, 10:25 PM |
Lessons "in the style of" the artists that you've mentioned will yield similar results. Also, because you used the exact phrase, I figure we shouldn't overlook the actual "around the chord lesson" by Piotr.
If you don't find enough lessons to your liking, I would also suggest that you can make your own exercises in this concept. Pick three chords in a key (I, IV, V being easiest) and load up even the simplest of drum loops. You can then play the first chord for a bar, phrase with that chord's notes over the next bar, rinse and repeat. I've been meaning to suggest this exercise for someone specific, but it sounds like you'd benefit from it as well. -------------------- ::jafomatic
http://jafomatic.net/tunes/ <-- Here lies the master collection of my collaboration and other improvisation recordings. |
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May 17 2010, 09:27 PM |
First learn the basic chords, I recommend my Chord Workshop series here on GMC. You can start with triads, and work your way to barre chords in different areas of the fretboard. After you learn that, it will be much easier to form connections between your regular licks and chords.
-------------------- - Ivan's Video Chat Lesson Notes HERE
- Check out my GMC Profile and Lessons - (Please subscribe to my) YouTube Official Channel - Let's be connected through ! Facebook! :) |
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May 17 2010, 10:48 PM |
Learn a lot off hendrix stuff .. and try to see the theory behind them..
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May 18 2010, 08:19 AM |
Triads lesson by Pedja really helped me a lot to improve my chords vocabulary. The exercise jafo mentioned is good as well.
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May 18 2010, 08:41 AM |
I think it all lies in ear training. If You can really hear the chord You're playing upon and move the fingers to play the notes that You hear in Your head, then it will sound good. Playing triads is a good starting point, but also to learn to sing intervals and chords, and learn the connection between them. Also studying rhytmic motives would be a great help, since a lot of phrases can be played interesting with just a few notes.
//Staffay -------------------- Guitars: Ibanez AM-200, Ibanez GB-10, Fender Stratocaster Classic Player, Warmouth Custom Built, Suhr Classic Strat, Gibson Les Paul Standard 2003, Ibanez steel-string Amps: Fender Hot Rod Deluxe, Marshall JMP 2103, AER 60 Effects: BOSS DD-20, Danelectro Trans. Overdrive, TC-Electronics G-Major, Dunlop Wah-wah, Original SansAmp, BOSS DD-2 Music by Staffy can be found at: Staffay at MySpace |
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