Though I intend to start working out more defined, and arranged solos in the future....I come from a background of playing more "in the moment". Thanks to GMC, I'm starting to bridge the 2 styles. But it may be years before I play an entire set with fully arranged solos, so in the meanwhile, there will be "mistakes.
My solo starts around 3:15 and is going alright. Nothing too special, just my personal blend of too much blues/rock/funk influence, played at a higher tempo with more gain to achieve a "metal-like" effect. At about 3:40 hang out on a bend just a bit too long and hit a "bad note". Not enough to ruin everything, but noticeable.
I've been playing gigs for years now, and have learned (the hard way...not easy, and not a quick lesson) to just push on. I don't think I even flinch. My mind just learned to embrace that note and work off of it, somehow. If I allow my brain to process the note as a negative action, things tend to go worse. Also, the crowd will notice you "wince" at your own note, and may notice you stiffen afterwards. Also, your playing can start to be less confident. Such as my weaksauce bend to end this solo run.
I'm not getting down on myself, but it helps to learn from the good and bad. I don't expect "perfection" live if I'm "improving" a solo. But I still go back and analyze the good and bad. In this case, I even found some "good" in the "bad"!!
I wouldn't call it a bad note
Most of the time the only person who sees the wrong notes is the person playing them I think
Anyway, nice solo I like it.
That wasn't that bad at all, Gabe, but I do understand what you're getting at in your post. It's always best to just accept all notes and run with it rather than let it put you off.
Although, I must admit that sometimes if I play an obvious clanger that even the crowd would notice then I think it's ok to make a silly 'Wtf ?' expression and be like 'I dunno what the hell that was !' and shrug it off... I think people like that humanness
The bend reminded me of Hedrix, maybe in part because you are plucking it at various tensions making it more rythmic. I can think of snippets of Hendrix music where he does this but can't put names to the songs. Often slide guitar has that slight out of pitch feel.
Hey Gabe! Good work man I agree with Ben - we all make mistakes and it's only human to smile and act like it without trying to play it cool and hide under the mask of rockstarriness
I got a super example:
...they are human and they are having fun while being at it
Sweet solo Gabe! I like it! That wasn't a big mistake at all, I wouldn't really notice it if you didn't explicitly name it here
And yeah, you are right about the attitude. I remember my last gig - I did TONS of mistakes, at one point I actually switched my amp to the "guitar tuner mode" and for 15 seconds I couldn't even be heard! I also made a lot of mistakes in rhythm, leads... During the solo my pick fell off (but I had another one near).
The crowd didn't notice a thing. In fact after the gig a few came to me and said "This is the most perfect playing from you ever, you played everything smooth!" And I'm like "Are you kidding me?"
This topic reminds me of a story I heard a while back ago about a kid whose dad beat him when he played wrong notes, so he invented jazz to save his hide.
name, name, name!
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