Take 2: David Gilmour Style Lesson, Lesson By David Wallimann |
|
Here is where the magic happens: the REC board turns bedroom guitarists into real pros. Remember - it doesn't matter if you fail or pass, as long as you keep posting REC takes you will progress.
The entries will be graded by a number of instructors. After grading, members will be accredited with the appropriate points if they pass, and adjustments will be made to their REC level.
Passing grade is 6 or higher.
* Submit your REC take!
* More info
* Score board
* Recording tutorial
Take 2: David Gilmour Style Lesson, Lesson By David Wallimann |
|
|
|
|
Jan 11 2015, 09:00 PM |
Original lesson: David Gilmour Style Lesson by David Wallimann
Hi everyone! It's been a while. I have decided to continue my training with GMC. So, I've taken another approach on this nicely done lesson by David Wallimann. Links to previous attempts at this lesson: http://guitarmasterclass.net/guitar_forum/...showtopic=43639 This post has been edited by dmitrybykov: Jan 11 2015, 09:04 PM |
|
|
||
|
|
|
Jan 12 2015, 11:54 AM |
Hi friend! Cool to see you here again!
I think that your playing is better compared with the previous take in which I said that you had to focus on bending's pitches. Now your bending technique is precise regarding pitches which is a very important improvement. Again, your timing is very good on this one as it happened on the previous take. This means that you already have the basics for this one, now it's time to go deeply with your interpretation and focus on dynamics, articulation and vibrato which are three totally related elements that are tools to give more emotion or feeling to your playing. D. Walliman does a great use of them to give his solo an extra value and at the same time to emulate Gilmour's playing which is full of emotion and beautiful melodies. In order to work on these things I recommend you to work again on smaller sections. For example take the first two phrases, listen carefully to which notes David add vibrato, which ones note (for example: you are not adding vibrato on bending, and David does). Play the phrases adding vibrato. Then, listen to the two phrases again and pay attention to the different intensities that he gives to the notes getting different accents and intentions. Your playing is very flat dynamically, try to emulate the original lesson's dynamics. Finally, do the time with groove and notes duration. Check how some notes are muted earlier while other's are longer, check the use of silences on phrases and between them. All these precise analysis is not to become a copy of David's, it's to train the elements, feel them, to be able to apply them later to your own phrasing. Give it a try and let me know how it goes. I hope to see you more often here! Have a nice day. -------------------- My lessons
Do you need a Guitar Plan? Join Gab's Army Check my band:Cirse Check my soundcloud:Soundcloud Please subscribe to my:Youtube Channel |
|
|
||
|
|
|
Jan 13 2015, 06:29 PM |
Pass: 7.7
-------------------- Guitars:
Fender American Deluxe Stratocaster, Ibanez RG2570MZ, Epiphone SG G-400 Amp: Vox AC4TVH head + V112TV cab Effects: Vox Satchurator, Vox Time Machine, Dunlop CryBaby, Boss MT-2, Boss CE-5, Boss TU-2, Boss ME-70 Recording: Line-6 POD X3 + FBV-Express, Pandora PX5D GMC wants YOU to take part in our Guitar-Wikipedia! Have a good time reading great articles and writing your own with us in our GUITAR WIKI! Share your playing and get Pro-advice from our Instructors: Join REC |
|
|
||