Major Scales 101 |
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Major Scales 101 |
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Jul 5 2007, 11:55 PM |
Major Scales 101 Introduction In this lesson we are going to discuss what is probably the most important scale in Western music. The reason that it is so important, apart from the fact that it gets used in a huge proportion of modern songs, is that it is also the foundation of our musical system. We use it as a basis for describing intervals, building chords and specifying key signatures. In most cases, the Major scale is assumed as the norm from which other scales deviate. The only other scale that approaches the prominence of the Major scale is the Minor scale, which is itself derived from the Major scale - which we will look at in a later lesson. With that in mind, lets have a look at it! The Major Scale The Major scale is a 7 note scale, built using the formula: 2 2 1 2 2 2 1 You should be familiar with scale formulae from the previous lessons. Lets have a look at how we would build a scale of G major. Obviously our root note is G, and building up from the formula we get the following notes: G + 2 semitones = A A + 2 semitones = B B + 1 semitone = C C + 2 semitones = D D + 2 semitones = E E + 2 semitones = F# F# + 1 semitones = G So there you have it - a scale of G major has the notes G, A, B, C, D, E, F# G, and as usual you can apply this formula with any other root note to get the exact scale that you want. On the Fretboard How do we play this on the guitar? Well, sticking with our G Major scale, we can construct 7 different boxes - why 7? Well, if we start with our root note of G on the E string, we can play a scale by moving up that single string, and each place we land can be the basis of a new box. However, for Major scales, a couple of the boxes will only be separated by 1 semitone, so be convention we miss these out, leaving 5 boxes, separated by either 2 or 3 semitones. Here they are: And that in a nutshell is the Major scale! This post has been edited by Andrew Cockburn: Oct 11 2007, 05:41 AM -------------------- Check out my Instructor profile
Live long and prosper ... My Stuff: Electric Guitars : Ibanez Jem7v, Line6 Variax 700, Fender Plus Strat with 57/62 Pickups, Line6 Variax 705 Bass Acoustic Guitars : Taylor 816ce, Martin D-15, Line6 Variax Acoustic 300 Nylon Effects : Line6 Helix, Keeley Modded Boss DS1, Keeley Modded Boss BD2, Keeley 4 knob compressor, Keeley OxBlood Amps : Epiphone Valve Jnr & Head, Cockburn A.C.1, Cockburn A.C.2, Blackstar Club 50 Head & 4x12 Cab |
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Jul 29 2007, 02:01 PM |
I haven't really studied the scales for very long but i have learnd the minor pentatonic scale i know the boxese and i can play them kind of fast and now i have moved on to the major scale. one thing i don't really get is how you change the scale from a G to a c for example do you start the pattern on another place on the neck or do you rearange the boxes so you start with the second box? I don't really get the thing with the root notes either i have read the introduction but i don't get it. i am very confused by the scales and i don't know what to do. Agin, its all about the root notes. What you are basically doing is moving all the patterns up or down the neck so that the ROOT note is located on a fret that makes it the scalke that you want. In your example, starting with all the patterns for G ... well there are 5 semitones (or frets) between G and C, so if you move all the patterns up 5 frets, your root notes will change from G to C,m and all of the other notes will change to the correct corresponding notes in the scale -------------------- Check out my Instructor profile
Live long and prosper ... My Stuff: Electric Guitars : Ibanez Jem7v, Line6 Variax 700, Fender Plus Strat with 57/62 Pickups, Line6 Variax 705 Bass Acoustic Guitars : Taylor 816ce, Martin D-15, Line6 Variax Acoustic 300 Nylon Effects : Line6 Helix, Keeley Modded Boss DS1, Keeley Modded Boss BD2, Keeley 4 knob compressor, Keeley OxBlood Amps : Epiphone Valve Jnr & Head, Cockburn A.C.1, Cockburn A.C.2, Blackstar Club 50 Head & 4x12 Cab |
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