My First Mini Reviews, Apple iMac, Reinhardt The 18 and Steinberg MR816 CSX |
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My First Mini Reviews, Apple iMac, Reinhardt The 18 and Steinberg MR816 CSX |
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Jan 11 2010, 10:10 AM |
My first Mini Reviews are online.
These are great to get an impression of the product in question, and read gear related stuff in small doses without all the technical info and/or other in-depth explanations that make your head ache Check them out: Apple iMac Mini Review Steinberg MR816 CSX Mini Review Reinhardt The 18 Mini Review This post has been edited by audiopaal: Jan 11 2010, 10:31 AM |
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Jan 11 2010, 10:17 AM |
Nice read man. Strange that the keyboard with iMac doesn't have a numeric part.
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Jan 11 2010, 05:35 PM |
Excellent reviews Paal!, that Reinhardt is a sweet amp for sure
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Jan 11 2010, 07:01 PM |
Nice!!! :-) But one thing that confuses me is that it say's in the article (the link to the sound-samples) about Rheinhardt that he uses only selected NOS-tubes for his amps, and in your review You say that there are Tungssol, JJ and EH-tubes. All of these are made in Russia as far as I know and is not consider as NOS-tubes, which is typically Sylvania, Philips, Mullard etc. Where they switched before You bought the amp? Btw. the sound samples were great!!!
//Staffay -------------------- Guitars: Ibanez AM-200, Ibanez GB-10, Fender Stratocaster Classic Player, Warmouth Custom Built, Suhr Classic Strat, Gibson Les Paul Standard 2003, Ibanez steel-string Amps: Fender Hot Rod Deluxe, Marshall JMP 2103, AER 60 Effects: BOSS DD-20, Danelectro Trans. Overdrive, TC-Electronics G-Major, Dunlop Wah-wah, Original SansAmp, BOSS DD-2 Music by Staffy can be found at: Staffay at MySpace |
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Jan 11 2010, 08:08 PM |
Oh, you're right... I believe I found info on the tubes from the first version of The 18.. I need to update that, thanks No probs.... I found it strange that he would use EH-tubes and Tungsol (eg. made by Sovtek), they are really considered to be bad by amp-builders and technicians...... In a great amp like this only the best is good enough!!! //Staffay -------------------- Guitars: Ibanez AM-200, Ibanez GB-10, Fender Stratocaster Classic Player, Warmouth Custom Built, Suhr Classic Strat, Gibson Les Paul Standard 2003, Ibanez steel-string Amps: Fender Hot Rod Deluxe, Marshall JMP 2103, AER 60 Effects: BOSS DD-20, Danelectro Trans. Overdrive, TC-Electronics G-Major, Dunlop Wah-wah, Original SansAmp, BOSS DD-2 Music by Staffy can be found at: Staffay at MySpace |
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Jan 13 2010, 08:21 PM |
Cool mini reviews audiopaal! There are very interesting read! Especial one about the iMac as I would love to get a mac in the future!
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Jan 14 2010, 07:06 PM |
Great mini review! thank you! Mac is great for music production
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Jan 15 2010, 03:05 PM |
Great reviews Paal, very cool to have this info! Did you do some samples on the Reinhardt before?
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Jan 15 2010, 08:53 PM |
Thanks mate Yes I did, but I didn't include them there because I'm going to record some new ones in a little bit! Just need to get all the work outta the way first, and I'll post some new samples with varying gain stages, settings etc. Looking forward to this!!!! I found, when trying to make sound samples, it is very hard to get the "real" sound into the computer, and now I'm thinking of using a room mic instead of close-micing the amp. In some strange sort of way my guitar sound sounds better in the mic from my video-cam than when it's properly miced... But I guess that's because of the fact that the room also colours the sound and that the mic is where You actually hear the sound..... Guess I have to dig-in to the world of convolution reverbs..... //Staffay This post has been edited by Staffy: Jan 15 2010, 08:54 PM -------------------- Guitars: Ibanez AM-200, Ibanez GB-10, Fender Stratocaster Classic Player, Warmouth Custom Built, Suhr Classic Strat, Gibson Les Paul Standard 2003, Ibanez steel-string Amps: Fender Hot Rod Deluxe, Marshall JMP 2103, AER 60 Effects: BOSS DD-20, Danelectro Trans. Overdrive, TC-Electronics G-Major, Dunlop Wah-wah, Original SansAmp, BOSS DD-2 Music by Staffy can be found at: Staffay at MySpace |
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Jan 16 2010, 02:32 PM |
Looking forward to this!!!! I found, when trying to make sound samples, it is very hard to get the "real" sound into the computer, and now I'm thinking of using a room mic instead of close-micing the amp. In some strange sort of way my guitar sound sounds better in the mic from my video-cam than when it's properly miced... But I guess that's because of the fact that the room also colours the sound and that the mic is where You actually hear the sound..... Guess I have to dig-in to the world of convolution reverbs..... //Staffay Two mics, one dynamic slightly off the center of the cone, and one condenser a bit further away and the sound can be achieved. If the room has nice reverb it would be cool to hear it naturally. -------------------- - Ivan's Video Chat Lesson Notes HERE
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