Question About Chords In Chord Progressions, chords like minor dominant or major 6 7, 9, #9; b9; 11;#11; 13,b13ths |
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Question About Chords In Chord Progressions, chords like minor dominant or major 6 7, 9, #9; b9; 11;#11; 13,b13ths |
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Jun 28 2009, 01:10 AM |
HI I was wondering if there are standards or mathematical rules about this: Neither standard nor mathematical. You can alter or extend any dominant chord with as many extensions as you need in your music. Doesn't really matter what you use as long as you are happy. Most of those altered chords fit with superlocrian scale. Some really heavy jazz uses this type of non stop alteration but you don't need to have them always. When you build the tension or the quality of the chord then you decide what sounds good. For example you can have G7 but you can extend it to G13 and it will still sound mixolydian. But if you have G9b13 this is now something that only you should know whether you like it You can still treat that chord as your mixolydian base in your progresion (usualy V chord), but with this alteration. You could play Mixolydian b6 in this case. -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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Jun 28 2009, 01:37 AM |
Agree with Emir, it's pretty much what you're trying to get from that very chord.
Just be aware, some of those extended chords are not alterated at all, they are just extended so they fit your scale/key nicely. On the other hand some ARE altered, per example +9, it's used in specific situations but once again, suit it to yourself. -------------------- Youtube
MySpace Website Album "Let It Out" on iTunes and CD Baby Check out my video lessons and instructor board! The Pianist tune is progress,check it out! "ok.. it is great.. :P have you myspace? Can i to personalize this for you guy?" |
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Jun 28 2009, 02:02 AM |
when do u want to alter a chord?
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Jun 28 2009, 02:20 AM |
when do u want to alter a chord? When you think it sounds cool to you Jazz guys alter non-stop and that's why their progressions sound the way they sound. -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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Jun 28 2009, 02:33 AM |
When you think it sounds cool to you Jazz guys alter non-stop and that's why their progressions sound the way they sound. Bro, are you online??? Don't know what is happening, recently I can't see your online icon flashing, maybe you turned it off or som? -------------------- Youtube
MySpace Website Album "Let It Out" on iTunes and CD Baby Check out my video lessons and instructor board! The Pianist tune is progress,check it out! "ok.. it is great.. :P have you myspace? Can i to personalize this for you guy?" |
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Jun 28 2009, 02:44 AM |
Bro, are you online??? Don't know what is happening, recently I can't see your online icon flashing, maybe you turned it off or som? I am online but going to bed Never turned anything off. All working good here -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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Jun 30 2009, 09:01 PM |
HI I was wondering if there are standards or mathematical rules about this: I know for example a IV chord leads to a V or a vii° chord . But if you use chords like #9 or even 7b9#11 , can those chords have specificic influences on the chord progression or are they always just filling up the chord and that's it. joris, just wondering. does anyone know interisting lessons or websites about chord progression theory and added notes-chords? thanx The whole EXOTIC SCALE series (not the solo/application lessons) are full of chords with tensions on them. You can check them out. https://www.guitarmasterclass.net/instructor/Ramiro-Delforte I hope it will help you -------------------- |
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