 Yash's Preparation Spot |
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 Aug 10 2012, 11:11 AM
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#101
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 GMC:er  Group: Members Posts: 846 Joined: 4-April 12 From: Tver, Russia Member No.: 15.579  |
As I promised, the G# Major scale, harmonized.
G# Major scale has these notes - G# A# C C# D# F G so, the scale harmonized as chords is - G# Major - G# (root) C (Major 3rd) D#(5th) - A# Minor - A# (root) C# (Minor 3rd) F (5th) - C Minor - C (root) D# (Minor 3rd) G(5th) - C# Major - C# (root) F(Major 3rd) G# (5th) - D# Major - D#(root) G (Major 3rd) A# (5th) - F Minor - F (root) G#(Minor 3rd) G(5th) - G Minor - G (root) A# (minor 3rd) C(5th) Hope this was OK. I tried my best 
-------------------- Play with emotion. Playing with all technique and no emotion makes you boring. And most importantly, Make faces while bending.
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Aug 10 2012, 05:31 PM
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#102
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 Instructor  Group: GMC Instructor Posts: 13.559 Joined: 14-June 10 From: Bucharest Member No.: 10.636 |
G# Major scale has these notes - G# A# C C# D# F G
so, the scale harmonized as chords is - G# Major - G# (root) C (Major 3rd) D#(5th) - A# Minor - A# (root) C# (Minor 3rd) F (5th) - C Minor - C (root) D# (Minor 3rd) G(5th) or B# - B#, D#, G - C# Major - C# (root) F(Major 3rd) G# (5th) - D# Major - D#(root) G (Major 3rd) A# (5th) - F Minor - F (root) G#(Minor 3rd) C(5th) - the 5th is C here not G and this could be E# minor, having E#, G#(Minor 3rd) and C(5th)- G diminished - G (root) A# (minor 3rd) C#(5th) You were correct in 95% of the cases and you should know that this scale is pretty much not used under this name The idea is that I wanted to see if you would use enharmonic relationships between C and B# or F and E#, which are basically the same notes, but for the sake of keeping a homogeneous notation, they can be named like that. B# and E# rarely appear in common western music. They are more of a convention Hope I didn't confuse you or something little bro
-------------------- My music:
Join my 'James Brown Collab' by clicking here We can work on YOUR GUITAR and MUSIC development TOGETHER. Write me a private message if you wish to! Please subscribe to my Youtube Channel Days Of Confusion Facebook Page Mozart Rocks My facebook page Music is my Mistress and she plays second fiddle to none! |
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Aug 10 2012, 05:41 PM
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#103
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GMC:er Group: Members Posts: 846 Joined: 4-April 12 From: Tver, Russia Member No.: 15.579 |
QUOTE (Cosmin Lupu @ Aug 10 2012, 10:01 PM)  - F Minor - F (root) G#(Minor 3rd) C(5th) - the 5th is C here not G and this could be E# minor, having E#, G#(Minor 3rd) and C(5th)- G diminished - G (root) A# (minor 3rd) C#(5th) You were correct in 95% of the cases and you should know that this scale is pretty much not used under this name The idea is that I wanted to see if you would use enharmonic relationships between C and B# or F and E#, which are basically the same notes, but for the sake of keeping a homogeneous notation, they can be named like that. B# and E# rarely appear in common western music. They are more of a convention Hope I didn't confuse you or something little bro No, you confused me...  this scale is not used under this name ? Why ?And I though B# and E# are non-existent, we use C and F instead And I think I get why we call B# and E#, because all other notes are sharps ???  -------------------- Play with emotion. Playing with all technique and no emotion makes you boring. And most importantly, Make faces while bending.
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Aug 11 2012, 12:53 PM
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#104
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Instructor Group: GMC Instructor Posts: 13.559 Joined: 14-June 10 From: Bucharest Member No.: 10.636 |
Hey Yash : ) B# and E# are more like conventional notations and G# is VERY little encountered as a scale but, it was a good exercise, right?
-------------------- My music:
Join my 'James Brown Collab' by clicking here We can work on YOUR GUITAR and MUSIC development TOGETHER. Write me a private message if you wish to! Please subscribe to my Youtube Channel Days Of Confusion Facebook Page Mozart Rocks My facebook page Music is my Mistress and she plays second fiddle to none! |
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Aug 14 2012, 08:40 AM
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#105
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GMC:er Group: Members Posts: 846 Joined: 4-April 12 From: Tver, Russia Member No.: 15.579 |
Yes it was
What's next ?
-------------------- Play with emotion. Playing with all technique and no emotion makes you boring. And most importantly, Make faces while bending.
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Aug 14 2012, 08:50 AM
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#106
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Instructor Group: GMC Instructor Posts: 13.559 Joined: 14-June 10 From: Bucharest Member No.: 10.636 |
Hehe
 Got another one for you  Take G# major and transform it into Ab major (G# = Ab - they are in an enharmonic relationship) and harmonize it in the same manner as you did with G# major Let's go! Cosmin -------------------- My music:
Join my 'James Brown Collab' by clicking here We can work on YOUR GUITAR and MUSIC development TOGETHER. Write me a private message if you wish to! Please subscribe to my Youtube Channel Days Of Confusion Facebook Page Mozart Rocks My facebook page Music is my Mistress and she plays second fiddle to none! |
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Aug 14 2012, 08:52 AM
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#107
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GMC:er Group: Members Posts: 846 Joined: 4-April 12 From: Tver, Russia Member No.: 15.579 |
What is enharmonic ?
-------------------- Play with emotion. Playing with all technique and no emotion makes you boring. And most importantly, Make faces while bending.
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Aug 14 2012, 08:57 AM
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#108
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Instructor Group: GMC Instructor Posts: 13.559 Joined: 14-June 10 From: Bucharest Member No.: 10.636 |
QUOTE (Yash @ Aug 14 2012, 07:52 AM) What is enharmonic ? Notes bearing different names but sharing the same sound Here they are:Eb = D# Gb = F# Ab = G# 
-------------------- My music:
Join my 'James Brown Collab' by clicking here We can work on YOUR GUITAR and MUSIC development TOGETHER. Write me a private message if you wish to! Please subscribe to my Youtube Channel Days Of Confusion Facebook Page Mozart Rocks My facebook page Music is my Mistress and she plays second fiddle to none! |
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Lo-Fi Version | Time is now: 19th May 2013 - 11:03 AM |