![]() ![]() |
Nov 7 2008, 10:47 PM
Post
#1
|
|
![]() GMC:er ![]() Group: Members Posts: 17 Joined: 17-October 07 From: ENGLAND Member No.: 3.072 |
Hi, just wondering if anyone can help me please, i'm wanting to add a different flavour to my improvisation by Mixing up minor with major pentatonic blues, but i'm struggling to blend it together.
Any help would be much appreciated. Thanks Mark |
|
|
|
Nov 7 2008, 11:01 PM
Post
#2
|
|
![]() Instructor ![]() Group: GMC Instructor Posts: 1.348 Joined: 28-July 08 From: Miami FL Member No.: 5.593 |
It is really a matter of listening and analyzing the chord progression you are playing over. Take a look at my up tempo blues lesson
http://www.guitarmasterclass.net/ls/up-tempo-blues-jam/ Here I do this, start with minor, introduce some notes from the major scale as well. It will not always sound good, so you need to experiment and get familiar with it. Take any of the blues lesson's backing tracks and practice major for a while, then do the same with minor, when you are familiar with the sounds, you will be able to tell what sounds better when, and when to change from one scale to another. -------------------- |
|
|
|
Nov 7 2008, 11:10 PM
Post
#3
|
|
![]() Instructor ![]() Group: GMC Instructor Posts: 16.847 Joined: 20-November 07 From: Belgrade, Serbia Member No.: 3.341 |
Try to play one lick on minor scale, and then the same lick on major scale. Also when combined these 2 scales make something similar to dorian mode. You can check out my BB King lesson, for some major/minor pentatonic licks blendings.
-------------------- Check out my Lessons and Instructor board
Check out my Facebook page and my Band topic! Buy my bands CD online CURRENT NEWS: Check out my Mentored Training Program Info Topic (all details about MTP Program provided! ) _________________________________________________________________________ |
|
|
|
Nov 10 2008, 07:01 PM
Post
#4
|
|
![]() GMC:er ![]() Group: Members Posts: 17 Joined: 17-October 07 From: ENGLAND Member No.: 3.072 |
Thanks very much Guys.
Mark |
|
|
|
Nov 10 2008, 07:10 PM
Post
#5
|
|
![]() GMC:er ![]() Group: Members Posts: 1.202 Joined: 25-November 07 From: Long Island, NY USA Member No.: 3.373 |
In a chord progression of A7 D7 E7 - you can swap between the mixolydian, major pentatonic, and minor blues pentatonic for some interesting lines. I really like dominate chords because they open up so many possibilities...
For instance say the chord progression is going from E7 back to the A7, if you do a descending run in the mixo mode starting with an E note, ending on a A note it'll sound pretty cool. Then do some nice A minor pentatonic licks, then maybe when the chord progression changes to the D7 do some major licks. Some of the stuff I mentioned here theoretically shouldn't work, but if you try it on the guitar it does! Blues is a music that benefits from tension and switching between major and minor can build and release that tension... experimentttttttt over a nice backing track. -------------------- Where you from?
2007 Gibson Les Paul Standard 2005 G&L S-500 2002 Gibson SG Special 2008 Schecter Hellraiser FR Epiphone Korina Flying V Yahama Acoustic ------------- Mesa F-50 Combo Crate Vintage Club Combo ------------- Line 6 Pod XT Maudio - Firewire 410 Guitarig Amplitube Ezdrummer + DKFH Reaper ------------- Fulltone Univibe Fulltone Fulldrive 2 MXR Zakkwylde overdrive Crybaby 535q Wah Ibanez PT-808 Phaser (Vintage) |
|
|
|
![]() ![]() ![]() |
|
Lo-Fi Version | Time is now: 21st November 2009 - 10:22 AM |
| About | Instructors | Contact | Terms of Use | Privacy policy | Members | Sign up | Linkmembers | RSS | |