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Mar 13 2009, 04:20 PM
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#1
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![]() Learning Tone Seeker ![]() Group: Members Posts: 1.891 Joined: 2-September 08 From: eagle point oregon Member No.: 5.825 |
Hi Guys,
So I think a lot of you guys have been following my MTP thread and have been hearing me harp on my group to use the Kaz-box aka the metronome. Some of my mentorees and I are going to be starting the Intermediate lesson in Muris's Lydian Phrasing serial and we have noticed that the timing in this bad boy is pretty tricky. I thought it might be helpful to make a series of videos breaking down this lesson bar by bar and going over exactly how to phrase each bar with the metronome. That way if you get to a bar and you are having trouble with it.....you have an easy soloution to be able slow it down and work it up to speed. You can't do this if you don't know how to count it using the Kaz-box. I PM'd Andrew and asked him if it would be OK for me to do this and he said it was sooooo.......I'll be posting the videos in this first post....breaking down each bar and demonstrating how to play it with the metronome. A lot of tricky yet cool rhythms in this one. Anybody who is interested go ahead and download the tab and keep checking back and we'll break down this cool lesson from the Bosnian Beast!!! EDIT: For anybody wanting to follow along....If you would check out Kris's great lesson on the metronome and the different note values it will help you understand what I am talking about in the videos. http://www.guitarmasterclass.net/memberson...a-metronome.htm INTRO: BARS 1-2 Bars 3-4 Tab explanation This post has been edited by lcsdds: May 3 2009, 08:39 PM
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Mar 14 2009, 04:03 AM
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#2
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![]() Learning Tone Seeker ![]() Group: Members Posts: 1.891 Joined: 2-September 08 From: eagle point oregon Member No.: 5.825 |
First little intro video is up guys. I will post bars 1-2 and bars 3-4 as two separate videos. Let me know if you have any questions of if there is anything I could do to make the next videos any better. Thanks.
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Mar 14 2009, 04:28 AM
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#3
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![]() Learning Tone Seeker ![]() Group: Members Posts: 1.399 Joined: 21-January 08 From: Cincinnati, Ohio Member No.: 3.915 |
This is a great idea Monte so thumbs up bro!!
I think myself and a lot of member here at GMC will finds this very useful. As you know Muris "The Bosnian Monster" has asked me to play this also, so he must not like me or something. So, I would like to watch this thread and work on this solo if it is OK with you and everyone else. You da man Monte -------------------- "Think of a guitar solo as a paragraph. You need a clear beginning, a middle, and an end. Look at musical phrases like sentences, and make sure you break them up using punctuation—or space. You pause naturally when conversing, right? If you don't, you'll bore the listener. The same thing will happen with your audience if your solo is one dimensional. You'll wear them out and lose their attention." —Tom Principato
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Mar 14 2009, 05:16 AM
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#4
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![]() GMC:er ![]() Group: Members Posts: 152 Joined: 11-June 08 From: California Member No.: 5.279 |
Nice idea!
The effort is appreciated. This should be very helpful. |
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Mar 14 2009, 06:04 AM
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#5
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![]() Learning Tone Seeker ![]() Group: Members Posts: 1.399 Joined: 21-January 08 From: Cincinnati, Ohio Member No.: 3.915 |
Videos are great but can you sit up or turn the recording input up some. The guitar I can hear but you words fall to the back and I would like to have that louder.
Thanks bro! -------------------- "Think of a guitar solo as a paragraph. You need a clear beginning, a middle, and an end. Look at musical phrases like sentences, and make sure you break them up using punctuation—or space. You pause naturally when conversing, right? If you don't, you'll bore the listener. The same thing will happen with your audience if your solo is one dimensional. You'll wear them out and lose their attention." —Tom Principato
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Mar 14 2009, 06:10 AM
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#6
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![]() Learning Tone Seeker ![]() Group: Members Posts: 1.891 Joined: 2-September 08 From: eagle point oregon Member No.: 5.825 |
Videos are great but can you sit up or turn the recording input up some. The guitar I can hear but you words fall to the back and I would like to have that louder. Thanks bro! I'm 6'6" so it is hard to position myself so I fit in the camera!! This post has been edited by lcsdds: Mar 14 2009, 06:10 AM |
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Mar 14 2009, 06:17 AM
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#7
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![]() Learning Tone Seeker ![]() Group: Members Posts: 1.399 Joined: 21-January 08 From: Cincinnati, Ohio Member No.: 3.915 |
No big problems mate.
Everything so far is great! I'm just picky I just wanted your words to be louder. This post has been edited by UncleSkillet: Mar 14 2009, 06:23 AM -------------------- "Think of a guitar solo as a paragraph. You need a clear beginning, a middle, and an end. Look at musical phrases like sentences, and make sure you break them up using punctuation—or space. You pause naturally when conversing, right? If you don't, you'll bore the listener. The same thing will happen with your audience if your solo is one dimensional. You'll wear them out and lose their attention." —Tom Principato
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Mar 14 2009, 06:29 AM
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#8
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![]() Learning Tone Seeker ![]() Group: Members Posts: 1.891 Joined: 2-September 08 From: eagle point oregon Member No.: 5.825 |
I'll be uploading bars 3 and 4 shortly and then I'm going out of town tomorrow so I won't put up any more videos until Monday. Probably get through bar 9 by then. If there is something that needs clarification or that I didn't do a very good job of explaining in these videos let me know and I'll address it in the subsequent videos. Hope these are helping somebody.
This post has been edited by lcsdds: Mar 14 2009, 06:30 AM |
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Mar 14 2009, 01:45 PM
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#9
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![]() Learning Rock Star ![]() Group: Members Posts: 1.326 Joined: 13-April 08 From: Merseyside, UK Member No.: 4.882 |
Cool this mate, im gonna give this a whirl I think.
Btw, anyone noticed haw much Monte looks like Steve Martins psycho dentist from little shop of horrors?? ![]() Very worrying! Sorry Monte, just couldnt resist! -------------------- ---------------------------
Lag Mastershop Imperator 3000 Eric Johnson Signature USA Strat Crafter Semi Acoustic --------------------------- Fostex PM.04 monitors Fender Blues Deluxe Reissue --------------------------- Harwire HT-2 Tuner, Vox Wah TS-9 Tube Screamer, Fulltone OCD, EH Big Muff Pi, EH Electric Mistress, Seymour Duncan Deja Vu Delay Wampler Pinnacle --------------------------- |
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Mar 14 2009, 01:59 PM
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#10
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GMC:er ![]() Group: Members Posts: 1.881 Joined: 16-January 08 From: Washington DC Member No.: 3.852 |
dont forget us phrygian folks over on the other side..
nice job monte -------------------- |
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Mar 14 2009, 02:03 PM
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#11
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![]() Learning Tone Seeker ![]() Group: Members Posts: 1.891 Joined: 2-September 08 From: eagle point oregon Member No.: 5.825 |
Cool this mate, im gonna give this a whirl I think. Btw, anyone noticed haw much Monte looks like Steve Martins psycho dentist from little shop of horrors?? ![]() Very worrying! Sorry Monte, just couldnt resist! If I could choose a mentor for dentistry......It would be him. dont forget us phrygian folks over on the other side.. nice job monte I'll do the Phrygian intermediate after the lydian lesson John. |
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Mar 14 2009, 02:42 PM
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#12
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![]() Instructor ![]() Group: Members Posts: 4.555 Joined: 29-March 07 From: Fort Collins, CO Member No.: 1.439 |
This is an awesome initiative.
Very good work, You really spent a lot of time on this lcsdds. Good video quality too! -------------------- |
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Mar 14 2009, 02:58 PM
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#13
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![]() Learning Apprentice Player ![]() Group: Banned Posts: 1.058 Joined: 11-September 08 From: Cleveland, Ohio Member No.: 5.886 |
Thanks for these Monte.
Ill be cracking on these soon... -------------------- My Gear
Ibanez RG570 Silver Jackson Ofset V Randy Rhodes Signature Schecter Hellraiser Diamond Series Mitchell Acoustic Peavey Valve King Tube Head 100w B52 4x12 Cabinet 400w X2 XDS95 Digital Wireless system BOSS GT-10 8 Channel USB Multimix My Site www.metalfrets.com You need to push the boundaries from time to time and sacrifice some accuracy, your fingers and brain need to get used to you moving faster, you must always come back to comfortable speeds to improve accuracy of course but if you dont push the boundaries you`ll always be stuck there. -Smells |
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Mar 15 2009, 12:49 AM
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#14
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![]() Instructor ![]() Group: GMC Instructor Posts: 6.526 Joined: 13-September 08 From: Nis, Serbia Member No.: 5.892 |
Great effort Monte, keep up the good work - I am sure a lot of members will benefit from your videos !
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Mar 15 2009, 10:22 AM
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#15
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Learning Roadie ![]() Group: Members Posts: 283 Joined: 2-March 08 From: Australia Member No.: 4.429 |
This is a great initiative, Monte. Will certainly give this lesson a try now. Thanks for all the work you're putting into this.
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Mar 15 2009, 03:31 PM
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#16
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![]() Jazz Instructor ![]() Group: GMC Instructor Posts: 1.425 Joined: 1-October 08 From: Belgrade Member No.: 6.012 |
Great job, I think this is very helpful!
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Mar 16 2009, 04:42 PM
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#17
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![]() Learning Tone Seeker ![]() Group: Members Posts: 1.891 Joined: 2-September 08 From: eagle point oregon Member No.: 5.825 |
Hi Guys....Anybody who is following along could you please go up to the first post and download the GP file for this lesson. I have made some notations on it that I think will help. Then next few bars are kind of tricky to count and get to sound right with the drum beat. They look simple on the tab but there are a few things that are easy to overlook that make it sound very cool and also add to the difficulty of counting these.
I'll probably have the next two phrases up by Wed. This post has been edited by lcsdds: Mar 16 2009, 04:55 PM |
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Mar 17 2009, 01:01 PM
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#18
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![]() Learning Apprentice Player ![]() Group: Banned Posts: 1.058 Joined: 11-September 08 From: Cleveland, Ohio Member No.: 5.886 |
Worked with this last night Monte. Im really starting to see the benefits counting and following along how you tabbed this out in GP.
I was getting lost before with the backing tracks but now I can pretty easily follow along now with just a generic drum beat or metronome. Its all I worked on last night but its getting cool now. -------------------- My Gear
Ibanez RG570 Silver Jackson Ofset V Randy Rhodes Signature Schecter Hellraiser Diamond Series Mitchell Acoustic Peavey Valve King Tube Head 100w B52 4x12 Cabinet 400w X2 XDS95 Digital Wireless system BOSS GT-10 8 Channel USB Multimix My Site www.metalfrets.com You need to push the boundaries from time to time and sacrifice some accuracy, your fingers and brain need to get used to you moving faster, you must always come back to comfortable speeds to improve accuracy of course but if you dont push the boundaries you`ll always be stuck there. -Smells |
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Mar 17 2009, 01:23 PM
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#19
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![]() Learning Tone Seeker ![]() Group: Members Posts: 1.891 Joined: 2-September 08 From: eagle point oregon Member No.: 5.825 |
Worked with this last night Monte. Im really starting to see the benefits counting and following along how you tabbed this out in GP. I was getting lost before with the backing tracks but now I can pretty easily follow along now with just a generic drum beat or metronome. Its all I worked on last night but its getting cool now. Cool Dan...I should have a couple of vids up today explaining the notations I made on the tab. starting at bar 7 the timing gets pretty tricky. |
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Mar 17 2009, 02:07 PM
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#20
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![]() Learning Apprentice Player ![]() Group: Banned Posts: 1.058 Joined: 11-September 08 From: Cleveland, Ohio Member No.: 5.886 |
I am at that part now learning it. Its definately going to be a chore to get those runs up to speed.
-------------------- My Gear
Ibanez RG570 Silver Jackson Ofset V Randy Rhodes Signature Schecter Hellraiser Diamond Series Mitchell Acoustic Peavey Valve King Tube Head 100w B52 4x12 Cabinet 400w X2 XDS95 Digital Wireless system BOSS GT-10 8 Channel USB Multimix My Site www.metalfrets.com You need to push the boundaries from time to time and sacrifice some accuracy, your fingers and brain need to get used to you moving faster, you must always come back to comfortable speeds to improve accuracy of course but if you dont push the boundaries you`ll always be stuck there. -Smells |
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