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Dec 22 2009, 09:25 PM
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#1
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![]() GMC:er ![]() Group: Members Posts: 16 Joined: 2-February 08 From: Halmstad, Sweden Member No.: 4.108 |
Hello GMCers
does anyone else have the same problem, or did you use to have it? if so then please tell me -------------------- Gear: Epiphone Les Paul Custom
Squire Stratocaster Line6 Spider II 75w Picked the guitar up in June 2007 |
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Dec 22 2009, 09:37 PM
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#2
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![]() Learning Tone Master ![]() Group: MVC Posts: 2.294 Joined: 18-June 09 From: Genarp, Sweden Member No.: 7.291 |
Hello GMCers does anyone else have the same problem, or did you use to have it? if so then please tell me Didn't really got this.... How can they be cool, if they don't sound the way You want? Is it the sound that is the problem, or can't You play them the way You want? Anyway, I suggest that a strong melody shall be the basis of a song rather than a riff, even that a riff will stand out as intro/parts into the song. It's hard to write a melody on a riff with too much notes in since there gonna be a collision between two melody's. (even wondered why Ozzy sings exactly as the guitar part???) With that in mind, the structure is most important - eg. if You write a strong riff, it may be suited for the chorus and the intro, but not for the verses. There's usually a standard formula in songs, but mainly there is an intro, verse, chorus, and bridge, and of course solos on either part. It's obvious that the chorus shall be the strongest one, the verses are just teasers for the chorus and the bridge is just for some variation. //Staffay -------------------- ![]() Guitars: Ibanez AM-200, Ibanez GB-10, Fender Stratocaster Classic Player, Warmouth Custom Built, Suhr Classic Strat, Gibson Les Paul Standard 2003, Ibanez steel-string Amps: Fender Hot Rod Deluxe, Marshall JMP 2103, AER 60 Effects: BOSS DD-20, Danelectro Trans. Overdrive, TC-Electronics G-Major, Dunlop Wah-wah, Original SansAmp, BOSS DD-2 Music by Staffy can be found at: Staffay at MySpace |
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Dec 22 2009, 09:50 PM
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#3
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![]() Learning Rock Star ![]() Group: Members Posts: 1.982 Joined: 15-October 07 From: Leiria, Portugal Member No.: 3.056 |
If you know it's not how you wanted to sound that means you know what to do in order to change it. Just waste sometime on it, songwritting is not that easy as some people think. What Staffy said is very good to follow
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Dec 22 2009, 09:56 PM
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#4
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![]() GMC:er ![]() Group: Members Posts: 16 Joined: 2-February 08 From: Halmstad, Sweden Member No.: 4.108 |
Didn't really got this.... How can they be cool, if they don't sound the way You want? Is it the sound that is the problem, or can't You play them the way You want? Anyway, I suggest that a strong melody shall be the basis of a song rather than a riff, even that a riff will stand out as intro/parts into the song. It's hard to write a melody on a riff with too much notes in since there gonna be a collision between two melody's. (even wondered why Ozzy sings exactly as the guitar part???) With that in mind, the structure is most important - eg. if You write a strong riff, it may be suited for the chorus and the intro, but not for the verses. There's usually a standard formula in songs, but mainly there is an intro, verse, chorus, and bridge, and of course solos on either part. It's obvious that the chorus shall be the strongest one, the verses are just teasers for the chorus and the bridge is just for some variation. //Staffay what i meant was that the whole song never really gets the same feeling as my lick or riff has, they dont really fit together if you know what i mean but thanks for replying If you know it's not how you wanted to sound that means you know what to do in order to change it. Just waste sometime on it, songwritting is not that easy as some people think. What Staffy said is very good to follow yeah well most of time when the song does not sound like i want it to do i just get frustrated and shut guitar pro down and then i go and do something else -------------------- Gear: Epiphone Les Paul Custom
Squire Stratocaster Line6 Spider II 75w Picked the guitar up in June 2007 |
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Dec 22 2009, 10:03 PM
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#5
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![]() GMC Founder & Rocker ![]() Group: GMC Instructor Posts: 12.797 Joined: 15-August 05 From: Stockholm, Sweden Member No.: 2 |
I think I know what you mean - my advice goes along the lines of Staffy's:
A lot of times people will write a riff that sounds really cool by itself but doesn't really work in a song situation. These kind of riffs are often "overplayed" in the sense that they work more as a lead rather than a strong song foundation. The solution could either be to "scale it down" a little - in other words take just a part of the riff and try to make it fit over a strong chord progression. If this works you can perhaps use the rest of the riff as a fill/break later in the song - or depending on what your material looks like, it would perhaps be more suitable to use as a lead somewhere. Either way it sounds like you need to listen more to songs that you like - and try to analyze how their riffs are constructed. -------------------- I do not have any natural talent at all - you can beat me with hard work.
Check out my video lessons + Kris & Marcus collab KMC Metal. My latest songs: "Mittwoch", "A Loner", "Red Shot", "Brutal Bump", "Love Me" . Kris & Ben Collab: Second Chance, Shadow Of The Ninja |
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Dec 22 2009, 10:22 PM
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#6
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![]() GMC:er ![]() Group: Members Posts: 16 Joined: 2-February 08 From: Halmstad, Sweden Member No.: 4.108 |
I think I know what you mean - my advice goes along the lines of Staffy's: A lot of times people will write a riff that sounds really cool by itself but doesn't really work in a song situation. These kind of riffs are often "overplayed" in the sense that they work more as a lead rather than a strong song foundation. The solution could either be to "scale it down" a little - in other words take just a part of the riff and try to make it fit over a strong chord progression. If this works you can perhaps use the rest of the riff as a fill/break later in the song - or depending on what your material looks like, it would perhaps be more suitable to use as a lead somewhere. Either way it sounds like you need to listen more to songs that you like - and try to analyze how their riffs are constructed. Okay i'll keep that in mind -------------------- Gear: Epiphone Les Paul Custom
Squire Stratocaster Line6 Spider II 75w Picked the guitar up in June 2007 |
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Dec 22 2009, 10:30 PM
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#7
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![]() Learning Rock Star ![]() Group: Members Posts: 253 Joined: 27-July 07 From: Netherlands Member No.: 2.420 |
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Dec 22 2009, 11:18 PM
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#8
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![]() Learning Tone Master ![]() Group: MVC Posts: 2.294 Joined: 18-June 09 From: Genarp, Sweden Member No.: 7.291 |
you swedes... the problem I usually have is a bit different: when trying to compose a song, the chords in there are a little to 'sought together', i.e. theoretically. It's getting a bit better lately; now what I need is a strong riff Tell me when You found one, btw. I need the chords as well, since I only got the melody! -------------------- ![]() Guitars: Ibanez AM-200, Ibanez GB-10, Fender Stratocaster Classic Player, Warmouth Custom Built, Suhr Classic Strat, Gibson Les Paul Standard 2003, Ibanez steel-string Amps: Fender Hot Rod Deluxe, Marshall JMP 2103, AER 60 Effects: BOSS DD-20, Danelectro Trans. Overdrive, TC-Electronics G-Major, Dunlop Wah-wah, Original SansAmp, BOSS DD-2 Music by Staffy can be found at: Staffay at MySpace |
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Dec 23 2009, 11:09 PM
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#9
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![]() Instructor ![]() Group: GMC Instructor Posts: 5.655 Joined: 11-October 09 From: Bogota Member No.: 7.694 |
well it seems like it's a technical problem. I would suggest that you keep on working on your technique, and more specifically on things similar to your creations and you'll see that at one point you'll have the freedom to play what you actually want!
-------------------- Visit my:
INSTRUCTOR PROFILE "If a composer could say what he had to say in words he would not bother trying to say it in music." Gustav Mahler Subscribe to my Youtube Channel here |
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