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Jul 18 2011, 01:31 PM
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#1
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![]() Learning Roadie ![]() Group: Members Posts: 297 Joined: 12-September 09 From: College Station, Texas Member No.: 7.632 |
Hey GMC.
One area I often struggle with is bending the right notes. I always have to guess if the note is going to sound OK or not with a full step or half step bend etc. I know that you can bend a note up a full step to achieve the root of the chord. For instance bending a D up to an E while the rythym is on an E chord. Anyways what approaches do you use to know how to use correct bends in your improvising? I hope I'm making sense. -------------------- "That's alright I still got my guitar, look out now!" -Hendrix
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Jul 18 2011, 02:48 PM
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#2
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![]() GMC:er ![]() Group: Members Posts: 1.066 Joined: 27-September 09 From: London, UK Member No.: 7.668 |
At a basic level, you should know how the notes of the chord relate to the key you're in. Then, you can look at the note you're playing, and how to get to the chord tones. Afterwards, you can start to look at how intervals will 'pull' to different notes (to resolve).
If you've trained your ear a bit, you should be able to tell whether a half step or whole step will be in key. If you're familiar with the scale, this should be even easier. -------------------- Ibanez 2550E
LTD EC-1000 VB Roland Cube 30W |
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Jul 18 2011, 03:10 PM
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#3
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![]() Learning Roadie ![]() Group: Members Posts: 297 Joined: 12-September 09 From: College Station, Texas Member No.: 7.632 |
Thanks Dark Dude. I guess it's a matter of improvising at a moderate to fast speed tempo. You can always practice to the backing in advance and get a feel for where the good bends are and what will sound correct. But to know that the bends will sound correct "on the fly" is what I'm trying to achieve.
I do suppose a lot of it is ear-training. The rest is just knowing your chord tones and bending to them. -------------------- "That's alright I still got my guitar, look out now!" -Hendrix
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Jul 18 2011, 04:19 PM
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#4
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Instructor ![]() Group: GMC Instructor Posts: 4.547 Joined: 15-October 08 From: Belgrade,Serbia Member No.: 6.085 |
At a basic level, you should know how the notes of the chord relate to the key you're in. Then, you can look at the note you're playing, and how to get to the chord tones. Afterwards, you can start to look at how intervals will 'pull' to different notes (to resolve). If you've trained your ear a bit, you should be able to tell whether a half step or whole step will be in key. If you're familiar with the scale, this should be even easier. Executive explanation DD, totally agree! Routine routine and routine -------------------- |
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Jul 18 2011, 06:07 PM
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#5
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![]() Instructor ![]() Group: GMC Instructor Posts: 13.602 Joined: 14-June 10 From: Bucharest Member No.: 10.636 |
You can always do the following thing:
- take a chord - any chord at all - create a little groove by writing drums, a bass line and recording that chord over/ use software such as Band in a Box and chose a rhythmic pattern and that chord from the menu -> you'll have the little groove created automatically. - examine the chord and see what notes make it up - find the desired notes on the neck in various positions - going one step behind a certain note you want to reach or a half step and bend it while having the groove playing - you'll hear the sound of that note over that specific chord - take this procedure with all the notes making up that chord and thus you'll develop a string sense of hearing regarding your bends Next step: take a progression and try to find a common note that comes up in each/ most of the chords used bend it and hear how the sound changes when the chords shift -------------------- My music:
Join my 'James Brown Collab' by clicking here We can work on YOUR GUITAR and MUSIC development TOGETHER. Write me a private message if you wish to! Please subscribe to my Youtube Channel Days Of Confusion Facebook Page Mozart Rocks My facebook page Music is my Mistress and she plays second fiddle to none! |
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Jul 18 2011, 06:45 PM
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#6
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![]() Instructor ![]() Group: GMC Instructor Posts: 5.655 Joined: 11-October 09 From: Bogota Member No.: 7.694 |
You definitely need to train your ear. A great exercise is to sing the major and minor scales. Every step, so that you internalise their sound. Also pentatonic scales. It does not matter if you don't have Michael Jackson's voice
-------------------- Visit my:
INSTRUCTOR PROFILE "If a composer could say what he had to say in words he would not bother trying to say it in music." Gustav Mahler Subscribe to my Youtube Channel here |
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