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Rockwouldbe
Rock Instructor
29 years old
Gender Not Set
Israel
Born Aug-4-1983
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Joined: 1-February 07
Profile Views: 2.648*
Last Seen: 16th December 2008 - 07:13 PM
Local Time: May 20 2013, 10:23 PM
219 posts (0 per day)
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20 Oct 2007
i think there should be a project
that every teacher will teach the way he plays a blues progression with chords or how he build all the rhytem and bass lines My opnion Cheers Eyal
29 Jul 2007
after Hard work, and hours and hours of prepration
i am glad to announced i Got accepted to the Rimon Modern , Jazz music school. it is a school that works with berkley , 2 years in rimon counts as 2 in berkely!!. I am happy , and just wanted to share it Eyal
25 Jul 2007
My fellow teachers.
which bass you are using for your recording ?? in cubase? Cheers Eyal
22 Jul 2007
22 Jul 2007
Greetings.
Well in this Saturday I decided I want to Boom the hell of my apartment neighbors . there is nothing like Rocking with this riffs. Now For me when i play stuff like this i know it is influenced by Megadeth. I wanted for a long time to do a lesson like this, I like jamming on heavy stuff as this one , I think everyone should be able to play stuff like this. Well let's check it out. Ok let's Work I think this really common in metal music to play it as a main them in a song , if you want another example take "Judas is raising" Now pay attention to the groove this everything here with the 16'Th triplets. E||------------------------------------------| B||------------------------------------------| G||------------------------------------------| D||------------------------------------------| A||--5g5h-7--------5g5h-7--------------------| E||----------0-0-0------------0-0-0-0-0-0----| -------------------------------------| -------------------------------------| -------------------------------------| ----------------------------------3--| --5g5h-7----------5g5h-7----------3--| ------------0-0-0-----------0-0-0-1--| ![]() The reason this part is slower , because the first one was really intense now this one takes every tension and put it in the harmonic. And then descending to a C# that is belonging to E maj scale. Try to combine the minor and major together it sounds awesome. --------------------------------| |-------------------------------| |-------------------------------| |------9---10---9-<>8h-8--------| |--7-7---7----7-----------------| |-------------------------------| -------------------|--------------------------------------| -------------------|--------------------------------------| -------------------|--------------------------------------| --8----------------|------9---10---9-<>8-7----------------| -------------------|--7-7---7----7---------10-9-8-7-6-5-0-| -------------------|--------------------------------------| -------------------------------|-------------------| -------------------------------|-------------------| -------------------------------|-------------------| ------6---7---6-<>5h-5h--------|--5----------------| --4-4---4---4------------------|-------------------| -------------------------------|-------------------| ------------------------------------|------------------------------------------| ------------------------------------|------------------------------------------| ------------------------------------|------------------------------------------| ------6---7---6-<>5-4---------------|------------------------------------------| --4-4---4---4---------7-6-5-4-3-2---|--5g5h-7--------5g5h-7--------------------| ----------------------------------0-|----------0-0-0------------0-0-0-0-0-0----| After all the speed come parts like this. This where you groove around the stage or let you hair fly in head banging , also very typical to Megadeth and then. Back to speed. No here it is all down stroke hey?. --------------------------|--------------------------| --------------------------|--------------------------| --------------------------|--------------------------| --2--2--2--2--2--2--2--2--|--2--2--3--3--5--5-----7--| --2--2--2--2--2--2--2--2--|--2--2--3--3--5--5-----7--| --0--0--0--0--0--0--0--0--|--0--0--1--1--3--3-----5--| --------------------------| --------------------------| --------------------------| --2--2--2--2--2--2--2--2--| --2--2--2--2--2--2--2--2--| --0--0--0--0--0--0--0--0--| This one of the most typical entries Marthy fridman is doing some weird Arpeggio and then a stretch. Sweep and a stretch. . I seriously recommend going to Pavel's Sweep lesson if you want to go inside really deep. You can always play fast but pay attention on the Beat. |----------------------------------| |----------------------------------| |----------------------12--14--12--| |--------------12--14--------------| |----------14----------------------| |--12--15--------------------------| -----------------------------------|-----------14-17br----17-14---------------| -----------------------------------|--------15------------------17-15-17br----| --14g16--------14g16----14g<>16----|--14-16-----------------------------------| -----------------------------------|------------------------------------------| -----------------------------------|------------------------------------------| -----------------------------------|------------------------------------------| --------------------| --15----------------| --------------------| --------------------| --------------------| --------------------| ![]() Now this is something Dave will do after Marthey is slowing , Dave is also a speed demon, now pay attention how again it is E minor and then Bb with F Beckar. Sounds wired but bring some heavy feeling ha?? --17p-15p-14p-12-17p-15p-14p-12-17p-15p-14p-12-17p-15p-14p-12-| --------------------------------------------------------------| --------------------------------------------------------------| --------------------------------------------------------------| --------------------------------------------------------------| --------------------------------------------------------------| --18p-15p-13p-12-18p-15p-13p-12-18p-15p-13p-12-18p-15p-13p-12-| --------------------------------------------------------------| --------------------------------------------------------------| --------------------------------------------------------------| --------------------------------------------------------------| --------------------------------------------------------------| It is always end like this doesn't and it brings interest into the finishing part. Again pay attention how Bb is entering nice here although it is a sharp 5'th . -------------------|---------------------|-------------------| -------------------|---------------------|-------------------| -------------------|---------------------|-------------------| --2----------------|--2--------3----5----|--2----------------| --2----------------|--2--------3----5----|--2----------------| --0----------------|--0--------1----3----|--0----------------| ---------------------|-------------------|---------------------| ---------------------|-------------------|---------------------| ---------------------|-------------------|---------------------| --2--------8----7----|--5----------------|--2--------3----5----| --2--------8----7----|--5----------------|--2--------3----5----| --0--------6----5----|--3----------------|--0--------1----3----| -------------------|| -------------------|| -------------------|| --2----------------|| --2----------------|| --0----------------|| Thank you guys for joining me again in my lessons. Your warm comments really help me improve for you guys. Now remember if you decided you are going to play and learn it do it until you finish the job , every lesson should be finished. When you are used to take only small parts you don't work on Staying in rhythm Eyal Appendix: Backing Fast:
mega_Backtrack_140Bpm.mp3 ( 1.61MB )
Number of downloads: 330Backing slow:
mega_slow_Backtrack_100Bpm.mp3 ( 2.25MB )
Number of downloads: 318Guitar pro:
mega.gp5 ( 22.29K )
Number of downloads: 289sounds For line 6 Pod:
Kiler_z.gpt ( 1.86K )
Number of downloads: 249
Sledgehammer.gpt ( 1.39K )
Number of downloads: 234 |
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Lo-Fi Version | Time is now: 20th May 2013 - 11:23 PM |