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Rammikin
Learning Rock Star
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Joined: 4-November 10
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Last Seen: 10th May 2013 - 02:49 AM
Local Time: May 19 2013, 12:31 PM
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Rammikin

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22 Apr 2013
Todd asked me to start a new thread about this, so I'll post that here.

QUOTE (Todd Simpson @ Apr 19 2013, 12:43 AM) *
OK, HOLD THE PHONE, you wrote OMNISPHERE?? Seriously? Were you involved with Jordan Rudess when he got so fond of it? Did you work with him on it? Dude, I"m guessing you have some really spiff stories to share. If it would not be an imposition, I'd certainly like to hear more, I'm sure others would as well.

Would you maybe start a thread about your general experience and creative process during your work creating these things? I'd love to read it smile.gif





First, I'll post something about Jordan Rudess from Dream Theater.

Yes, Jordan Rudess has been an enthusiastic Omnisphere user from the very beginning. He likes to use it with the Haken Continuum, so we've worked with him make Omnisphere and Trilian work well with that. The result is that Omnisphere works quite well with any multichannel midi controller, like midi guitars. He has also been a helpful in getting the word out about my iPad/iPhone app, Crystal Synth XT.

Jordan understands the big idea that we're all in this together in the music industry and that by helping each other we make things better for everybody. Consequently he's very generous with his time and he did some demos for us at NAMM.



Personally, since I'm a keyboard player, I find him very intimidating! His technique is terrifying. Among the things that are impressive about Jordan is the way he surrounds himself with good people. His tech is top-notch. The software engineer he works with on his apps has great chops. And he makes music with some guy named Petrucci who I've heard is quite good smile.gif.
12 Apr 2013
I really like the lessons here at GMC. I have one humble request for instructors though: when you play the sections of a lesson, please play to a backing track. That helps greatly when trying to learn the exact rhythm of a difficult part (the tablature is often only approximate). See Cosmin's lessons as an example of how to do it. He plays to a backing track when demonstrating a section at full speed and also when demonstrating at slow speed.
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