I've been practicing alot of 8 finger tapping lately, And one of the exercises I do, sounded cool so I decided to do a short 1 minute solo over it. I played to it about 3 or 4 times and then just recorded whatever happened, I like it and its the first time I recorded an improv take of myself.
Let me know what ya think.
Full Version: Short Improv Solo Over 8 Finger Tapping Exercise
That was nice jam!!
Note, seems like you're hanging on relative major pentatonic
and this is pure mixolydian progression,
try to catch root note more often.just a suggestion,good work.
Note, seems like you're hanging on relative major pentatonic
and this is pure mixolydian progression,
try to catch root note more often.just a suggestion,good work.
Nice solo and rhythm guitar
I give you a tip: instead of bending the notes in to out (a note from the scale to one outside the scale) you can bend a note outside the scale to one that's inside like Marty Friedman does. That will give you a stranger sounding because you are adding semitones to the scale but you "correct" them.
Watch the bending in the 0:17.
I give you a tip: instead of bending the notes in to out (a note from the scale to one outside the scale) you can bend a note outside the scale to one that's inside like Marty Friedman does. That will give you a stranger sounding because you are adding semitones to the scale but you "correct" them.
Watch the bending in the 0:17.
QUOTE (Muris Varajic @ Jan 6 2009, 03:33 PM) 
That was nice jam!!
Note, seems like you're hanging on relative major pentatonic
and this is pure mixolydian progression,
try to catch root note more often.just a suggestion,good work.
Note, seems like you're hanging on relative major pentatonic
and this is pure mixolydian progression,
try to catch root note more often.just a suggestion,good work.
Thanks for the tip Muris, I'll try to remember that when I do more improv in the future
QUOTE (Ramiro Delforte @ Jan 6 2009, 03:46 PM)
Nice solo and rhythm guitar
I give you a tip: instead of bending the notes in to out (a note from the scale to one outside the scale) you can bend a note outside the scale to one that's inside like Marty Friedman does. That will give you a stranger sounding because you are adding semitones to the scale but you "correct" them.
Watch the bending in the 0:17.
I give you a tip: instead of bending the notes in to out (a note from the scale to one outside the scale) you can bend a note outside the scale to one that's inside like Marty Friedman does. That will give you a stranger sounding because you are adding semitones to the scale but you "correct" them.
Watch the bending in the 0:17.
I never thought of that before, But it sounds like it would give a cool sound to it, Plus I like stranger sounding, its always more interesting to me. Thanks again
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