QUOTE (Staffy @ Nov 21 2009, 09:27 AM)

If I ever gig again, which is believable though since Im planning for it, I will be using good ole' analog effects instead from my pedalboard and have the TC-major for something else, putting it on vocals or use for studio-effects since its real good for handling digital signals..... Their new series of stomp-boxes doesn't steal the tone though....
Btw. doesn't Cruella De Vil's brother Evenruder De Vil work as head-Engineer at TC ????

Ah cool. I stumbled upon using the G-Major in that way via SPDIF as an aux send/return external effect in my DAW. I have, of course, thus far only used it for processing guitar but would be quite interesting to see how it treats something like vocals. Blimey me though! The only analog effect pedal I have left is a Jim Dunlop Cry Baby 535Q Wah!! I never had much luck with pedal effects. I thought they all sounded plastic or were just plain noisy as hell so I went the rack mounted everything route apart from the Wah which just can't be done any other way in my opinion. I think I have heard of some nice Wah rack units but I ain't breaking the bank just for that!

Now you are speaking in tongues ...

I have no knowledge of the persons of which you speak. Sorry. The joke is lost on me. My loss ...

QUOTE (maharzan @ Nov 21 2009, 09:36 AM)

nice tone man! I need to explore my G-Force now..

just used twice.
Whats your triaxis setting here? (if any)
Cool. At least it arrived in one piece then. Must have had the right power supply even?

Just powered on the Triaxis to check ... For that I used:
LD1 Orange - Gain 7.0 - Treble 7.0 - Middle 3.0 - Bass 1.0 - LD1 Drive 8.0 - Master 3.0 - Presence 7.0 - DV 1.0.It may be a slightly modified artist preset? Not sure. Probably won't match what you have on your unit but it is Preset #24 on the off chance that it does. Just went through them all to see which ones had the mode I was looking for that was more likely to match the vibe of the backing track. Although, the sound on the track is the combination of many other pieces in play so the Triaxis is an important element but by no means the only element in the final sound.
Cheers man! Glad you like ...
[EDIT] >> Just remembered this that may be useful to you? Recording out A is full-range and B is an EQ'd speaker sim-kind of output. I therefore recommend you use output A and handle the EQ however you wish.