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Storm Linnebjerg
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ATTENTION:

I know I've made a mistake with the fingerings in the tabs on the first 3 rounds, but I won't correct that right now - it'll have to wait some time


Keep in mind that these lessons are not supposed to be healthy to your ears (sorry for the tone and all...), but to your hands.

If you're not too keen on using my warm up section yourself, my next post/lesson will probably be about what should be including in a good warm up section (and I might have left some things out in this one as well...sorry about that.).

Sorry Kristoffer and everybody else - I couldn't keep the video at a few megabytes unless I split it up, but that suddenly became very challenging to keep track on. So here's 57 megabytes of 23 minutes of video. The sound is kinda bad and some times a bit weird, but I hope it'll be okay. If you don't want to download and watch the video, you can just look at the tabs, and then you'll probably get a good hold of the going ons.

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Hello everyone, and thanks for tuning in on this lesson on proper warm up.

On request from Kristoffer's Example Lesson, I will start with an introduction of myself for those of you who have yet to read my thread in the "Introduce yourself" section.

About myself



Once again: "Hey everyone", my name is Benjamin Linnebjerg, I live in Odense, Denmark. I am 19 years old and have played guitar for about 5 years, though the last three years I've played close to nothing at all, due to other importancies, so I'm trying to find my way back these days, and I thought that trying to write a lesson or two would keep the fire going.

Amongst my favorite guitarists are players such as Dan Rock and Brian McAlpin from Psychotic Waltz and Frank Gambale alongside (no big surprise here) John Petrucci. For an unknown reason I have always felt drawn towards Dan Rock's playing, so that I cannot explain properly. Frank Gambale on the other hand utilizes great "fresh" chord progressions in his songs (man, just listen to "Faster than an arrow"). John Petrucci for his work in Dream Theater, which was the first progressive band I started listening to. I am amongst those who think his earlier work with Dream Theater (Majesty, WDaDU, Images & Words) are the best in their catalogue. I could of course mention a handful of other inspirational guitarists - Michael Romeo, Guthrie Govan etc...

As you can probably already figure out, my favorite bands are bands as Psychotic Waltz, Dream Theater, Symphony X, Spastic Ink and many more. I used to play in a progressive metal band, though we were only me and a drummer and another guitarist. 1½ year ago my creative side suddenly ran dry and I couldn't come up with any original riffs or licks, so I decided to quit the band about a year ago, and I am now once again focusing on the more technical side of guitar playing.

When I am not practicing or writing this lesson I am preparing for my final exams, which don't really mean that much, because my grades are fine as it is if and when I want to go to university, which I have put on a hold for 12-24 months. I want to get a job, earn some money and enjoy a non-school life, and hopefully I will get time to practice a lot more

I hope this lesson among other lessons I plan on writing will give you some good values as to when practicing.


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Warming up/Stretches

One of THE most important aspects of a good practice session, and I cannot stress this enough, is a proper warm up section. This section will, as it says, warm up your fingers, and get the blood flowing in your fingers. This means your fingers will become more agile - in other words, things will become easier to play if you have warmed up properly. But even more importantly it will help you avoid any bad finger injuries.

It is the exact same approach athletes take when they go into practicing their discipline. As a former football goalkeeper, before I got my knee injured, I can definately relate warming up for guitar and warming up for football practice or a match. The distance from jumping around on a football field, running, bending for the grass, running, jumping, running, bending to reach the grass and other football exercises - the distance from these to those warm up exercises I am about to show you really isn't far. The football exercises would get my muscles going and help me stay injury-free (Yeah, yeah, I know) and eventually during matches make me one of the benefits would be, that I could jump higher, jump faster, and in the same way warming up on guitar will make your fingers able to move faster from one fret to another, simply because there will be a good flow of blood through your fingers, making them warm and agile and hopefully injury-free.

So, I have decided to share my approach to this with you guys, and you may do this the same way as I or a completely different way. So check it out, and see if it could apply to you.

I've put my focus on getting each finger warmed and stretched properly and getting the picking hand going as well - playing 2 notes per string, 3 notes per strong and 4 notes per strong patterns. You could even develop this further, if you want, but I feel these three are the most commonly used, and that's why I have chosen these.

So, let's get going on the real lesson.


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The warm ups/stretches without Guitar

Before you pickup the guitar it's a good thing to pretend to be an athlete. Get those muscles in your hands and arms loosened up. Take a look at the video. Most of these exercise are found in various other guitar instructors videos or books, but that just proves it's point - useful stuff!

The warm ups/stretches with Guitar

I've always felt, that those video lessons including tabs, where you're not shown the whole exercise is a bit demoralizing. We all know that "cont. to 12th fret" text or "play all over your neck". I know that I tend to be a bit sloppy about that, and I've always wanted to be able to play along with the instructor, note for note, all over the fretboard. So, here I give you note for note my warm up session including tabs and videos. You can then play along in my tempo (which I feel is the correct tempo for warming up) or you could simply skip the videos and do it at whatever tempo you want to. The choice is yours, but just be sure that every note you play ring out clearly.

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Two note per string warm ups
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Round 1
- The first and second finger









Round 2
- The first and third finger









Round 3
- The first and fourth finger









Round 4
- The second and third finger








Round 5
- The second and fourth finger







Round 6
- The third and fourth finger


Storm Linnebjerg

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Three note per string warm ups
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Round 7







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Four note per string warm ups
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String Skipping warm up
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Cooldown Chords
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Ivan Milenkovic
Wow, lots of pictures, great! smile.gif
jacmoe
Top notch! laugh.gif

I really need to be doing this, and thanks to you I will. Awesome! wink.gif
Henry Dietzel
Great ideas I will be borrowing some of these patterns to warm up with....thanks for the lesson
PassionPlay
Flere danskere tongue.gif

You have some good ideas and many can definatly benefit from this smile.gif
And about the long video... it isn't really a big deal that it is long

Keep on Rocking, cheers from Copenhagen smile.gif
Juan M. Valero
Great exercises mate !!!! thanks for this great work wink.gif
fire
great !! im really needing a warm up routine!! could you provide the gp tab itself? Would be very pleased!! (in gp4 if possible wink.gif )

thanks !!


cheers
Storm Linnebjerg
QUOTE (fire @ Jun 22 2008, 10:56 AM) <{POST_SNAPBACK}>
great !! im really needing a warm up routine!! could you provide the gp tab itself? Would be very pleased!! (in gp4 if possible wink.gif )

thanks !!


cheers


I was hoping no one would ask that actually. You see, I didn't keep each individual file, but I have another file with pretty much similar content, though it includes a little of something else that isn't my work (Petrucci's Rock Discipline stuff and such). It's on my girlfriends computer, but I can get it during the day, if you want it.
Nemanja Filipovic
This looks great man,very useful stuff.
Thanks.
Vasilije Vukmirovic
I do the similar exercises, they are among the most useful.
However, I advice focus on few of those. Like fore example, you can start with 3 5 3 5(frets), played with second and fourth finger. Then 3 4 3 4 ect, with third and fourth, then 4 5 4 5 4 5 with third and fourth finger. Then you can do 1 2 1 3 1 4 1 2 1 3 1 4 for awhile with fourth finger. What I want to say is that, you dont need to practice with first finger at all, like 1 3 1 3 with first and third or second. Focus on few. It is enough 5-10 minutes I think.

The trick is, when you play fast, anything, scales or....and you use little finger, it stays on the fretboard for a 0.1 seconds or so. The faster you play the less it stay on the fretboard in the tensed position. That isn't very good for strength development. If you play slower, you will see that it's trickier to keep it on the board. Especially if you do some hard passage. I have been practicing Bach's piece with a pick, and I couldn't get it right until I really slowed it down. Then I noticed then it's even harder to play, exactly because my pinky stays longer on the fretboard, so I have to push for a 0.3 seconds more. I mean, I was surprised, how can something be harder to play slowly then fast? But it's true.

Often when people don't have developed fourth finger, or even third, they sound like they are playing the staccato all the time. All notes have to last exactly the same time. 16th, 8th. So during that time, fingers have to stay on the board for a whole time.
Kuba Szafran
Well done mate smile.gif!
Fran
Just added this one to the knowledge abse wink.gif

http://www.guitarmasterclass.net/guitar_fo...showtopic=16661
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