I jam over the backing until it sounds about right. hahaha! I don't usually hear things in my head.
hahaha and do you record your jams?
Usually I "hear" it in my head then I try to play it but it changes a lot.
But mostly I jam along - So both.
why does it change that much?
I listen to the backing track several times. My mind usually takes over and I start imagining what would sound good to me over that track, then I try to play it. More often than not, what I imagine is too difficult to play or learn in the short time I need to produce it, so I'll compromise a little by trying alternate versions of it. Usually, what I had in mind, after playing it, will morph into something slightly different as I'm learning to play it, and I'll take 15 - 20 minute breaks to walk around and grab a bite or something to drink. While I'm chillin, I'm usually humming the backing tracking and dreaming alternate versions of the solo and will try it. So for me, it always begins as an idea. I rarely begin by jammin. I find for me that jamming limits me to what I can do already do, and that often results in ruts - falling back into my comfort zone - not much creativity there
good topic.
thanks for your input! I also think that the breaks are very important when you are composing something.. sometimes I can continue with a solo and after a break I come back and I can improve it and continue it...
As Ivan pointed out, there are A LOT of factors which could be taken into account when creating a solo.
My approach is mostly based on singing over a track - I avoid jamming because it usually makes me play what I already know how to play
and i usually want to avoid repetition or cliches, even if it doesn't always work. At least I'm trying
The main idea is: if someone can sing your solo, it means you're going in a good direction - I don't mean that if you come up with a complex structure and you shred the hell out of that guitar, you're doing something wrong, but I usually like solos a lot more if they stick to my mind in one way or another
Remember - you are what you play
thanks Cosmin! and yes, the balance between melody and shredding is what I always try to get but if not, I always prefer that Melody wins when I'm composing...