Focus: This concept is almost as easy to learn as the pentatonic scale itself - but will open up a new world of sonic possibilities - especially in the blues, country and jazz genres.
In this solo we will try to demonstrate how to mix major and minor blues patterns to create a natural mix between major and minor voiced phrases. This is the part one where we will cover position 1 of the minor pentatonic scale on top of the position position 1 of the major pentatonic scale.
Third lesson in the series, where we will cover positions 3 of the minor and major pentatonic scales. Mixing of these two patterns is very important in blues and other forms of music as well, will create a more interesting vibe in your playing when alternating these two patterns/feels.
Fourth lesson in the series, where we will cover positions 4 of the minor and major pentatonic scales. Mixing of these two patterns is very important in blues and other forms of music as well, and it will create a more interesting vibe in your playing when alternating these two patterns/feels.
Fifth and last lesson in the series, where we will cover positions 5 of the minor and major pentatonic scales. Mixing of these two patterns is very important in blues and other forms of music as well, and it will create a more interesting vibe in your playing when alternating these two patterns/feels.