X

You have no bookmarks.
Edit
  • Guitar Lessons
  • Lick of the day
  • Workshops
  • Knowledge base
  • Forum

3 Notes per String Arpeggios with Tapping

View feedback (21)

by Joe Kataldo

Lesson step:

  • main
  • 1
  • Members only2
  • Members only3
  • Members only4
  • Members only5
  • Members only6
  • Members only7
  • Difficulty: 6
  • Lesson
  • My notes
  • Community
  • Statistics
  • Share
  • Tapping is the technique I love the most! In this lesson I'll shove you how to play diatonic seven arpeggios with tapping and string skipping, if you studied some of my previously lesson on this topic shouldn't be difficult, memorize this arpeggios shapes.


    3 notes per String Arpeggios with Tapping
    -----------------------------------------

    The musical study presents in sequences, all the seven arpeggios derived from C major scale:

    I - Cmaj7

    II - Dm7

    III - Em7

    IV - Fmaj7

    V - G7

    VII - Bm7/b5


    Techniques Focus
    ----------------

    The firs two notes are played with left hand hammer-on and pull-off, and a third one. before change string is played with, right hand tapping, then you have to skip a string and do the same. Try to archive a balanced even sound between the tapping and the left hand hammer-on pull-off.


    Theory Focus
    ------------

    Diatonic substitution apply when a chord within a key can be replaced with another, without altering it's function. The main category in Major tonalities are:

    I - III - VI = Tonic

    II - IV = Sub dominant

    V - VII = Dominant

    This means that chords from the same category are interchangeable.

    Now you should wondering: "ok cool, but what's the relationship with 3 notes per String Arpeggios with Tapping?"

    The same process can be applied to arpeggios, for example:

    Over a Dm7 chord you can play Fmajor7 arpeggios ( II & IV same chord function)

    Dm7 Chord:

    1 b3 5 b7
    D - F - A - C

    Fmajor arpeggios over Dm7 Chord:

    b3 5 b7 9
    F - A - C - E


    The result will sound as an Dm7 Arpeggio with no root!


    Pro Tips
    --------

    These arpeggios can be played starting from the sixth string too, without altering the shapes, they are transportable.


    If something is not crystal clear, write me on my board.

    See you next lesson!

    Joe Kataldo

    Cmajor Scale.jpg
  • Login to use my notes. No GMC account? Register here.

  • Wiki

    No matching wiki article was found for this lesson. Write one!

    Forum

    • Two Notes Per String Arpeggios Lesson

      Started by Maharzan Jul 06, 2009 with 6 replies Original Lesson: Joe Kataldo This is for the June Challenge but wanted to put it up on the REC as well. Enter >>

    • Mhskeide - 3 Notes Per String Arpeggios

      Started by Mhskeide Aug 05, 2009 with 4 replies 3 notes per string arpeggios by Joe Kataldo Original Lesson: http://www.guitarmasterclass.net/ls/3-note...s-with-tapping/ Equipment use... Enter >>

    • Three Notes Per String Scales

      Started by DeepRoots Jun 19, 2008 with 5 replies Minor Scales Instead of going over exactly the same process again, which you should be familiar with at this point of the lesson, here I... Enter >>

    • Three Notes Per String Scales

      Started by DeepRoots Jun 19, 2008 with 11 replies Introduction Once you've dived into the world of scales and become familiar with the 5 pentatonic patterns or the CAGED major patter... Enter >>

    • Alternate Picking 2 Notes Per String Or Arpeggios

      Started by Inertia Aug 20, 2008 with 3 replies hi everybody I'm having problems playing pentatonic licks with 2 notes per string. 3 note per string licks I find easy because you ... Enter >>

    Video Responses

    Posting video responses are only avalible for members.

    No video responses have been posted yet in this lesson.

  • Members practicing this lesson

    Lesson views

    • Total views: 2418
    • Member views: 135
    • Guest views: 2283

    Lesson rating

    • No users have rated this lesson yet.