Bookmark this lesson...
X
Edit 
Kristofer Dahl19th December 2010Amazing Cosmin - I am blown away by your first two lessons. Love the riffs, the sound, the explanations, the presentation...you rock!
Bogdan Radovic19th December 2010Great lesson and very modern sounding!
Cosmin Lupu19th December 2010thanx guys ![]()
Frederik19th December 2010Oh thats killer riffing !
Frederik19th December 2010Do you use bass amp to catch the lowest notes?
Cosmin Lupu19th December 2010hey Frederik! I don't use any bass amp at all
I record using an AMT ss 20 - a russian tube preamp pedal straight into my soundboard! I recommend it for home recording, although it is very good in combination with a poweramp on stage! AND last but not least - it is made in West Siberia
)
thefireball19th December 2010Wooo! Now that's heavy! I haven't heard much played in Drop A. I like it! ![]()
Frederik19th December 2010Haha cool
it must be sturdy, holding up in that kind of a climate. Now i'm GASing for a baritone for that epic heaviness of the low notes. I also want a baritone acoustic for candyrat stuff. Gotta enslave myself in labor
Daniel Realpe20th December 2010epic!
Ben Higgins20th December 2010Cosmin, Man that was cool - I really enjoyed that !! ;-) Plus, with your intense stare, people will try extra hard to get it right !! ;-p
Cosmin Lupu20th December 2010
it was not my intention to stare
but if you guys enjoy it, I can;t be anything else but happy! Cheers to all!
Ben Higgins20th December 2010
Cosmin Lupu20th December 2010@ Frederik: I like my MMM, but if you have an opportunity, try the Yamaha Orgy signature model. It's been out of production for sometime now, but if you can find it second-hand, don't hesitate to buy it. One of my bandmates has it, and it's somehow, the counterpart of my Ibanez MMM (we build the tones in such a way that they sound at their best together) ![]()
Cosmin Lupu20th December 2010
alrighty then, I'll try to reproduce it everytime ![]()
Sinisa Cekic20th December 2010wow,great riffs, Cosmin !!!
Cosmin Lupu20th December 2010Thank you Sinisa!
Sentenced21st December 2010Wow that sounds heavy. Great lesson.
Cosmin Lupu21st December 2010Thamx man!![]()
Zsolt Galambos21st December 2010Wow, what a brutal sound
Killer lesson, Cosmin!
Cosmin Lupu21st December 2010Thank you Zsolt! I have more ![]()
alvaroshredd22nd December 2010pufff the riff is just amazing man! congrats!
Cosmin Lupu22nd December 2010Thank you!! ![]()
Jerry Arcidiacono22nd December 2010It sounds sooooo heavy ![]()
Cosmin Lupu22nd December 2010Thank you Jerry!
Piotr Kaczor28th December 2010HQ lesson, Cosmin! My 3,5 year
old son just can't stop to listen it, you are becoming his new idol, alongside Europe and Bon Jovi ![]()
Cosmin Lupu29th December 2010
that is very nice to hear
thank you Piotr!
Knowing your music is enjoyed is the most rewarding feeling!
Lian Gerbino29th December 2010very cool lesson man!!!
Cosmin Lupu2nd January 2011Thank u Lian
!



Hello GMC'ers! Today I shall take you into the amazing realm of modern metal. This is also a concept lesson from a series bearing the name "Modern Metal", which will offer you a detailed view on low tunings, rythimic formulas and a succesful combination between aggressive and melodic playing.
The phrase presented here, is actually the middle part or the "breakdown" of a song I wrote with my band, in such a way that it emulates the feeling of tension and release – through the aid of aggresive and melodic combinations.
The tuning is the result of my habit of playing a 7 stringed guitar for many years before switching to a baritone. and here it is: A E A D G B – you should regard it as a standard tuned 7 string guitar with the lowest string detuned to A and a missing high E string. It will create a bunch of unusual chord positions which I use and find very interesting.
Concepts/ Benifits:
* The development of rythmic playing
* Your right hand technique
* The tension-release technique
* Combining 3 different modes in a single phrase
* Controlled bending
* Creative and unusual chord positions – as a result of the special tuning used
* Combining aggressive and melodic playing
Listening Recommendations:
* Killswitch Engage
* Periphery
* Tesseract
Scales:
* Phrigyan harmonic minor (1 b2 b3 4 5 b6 7)
* Locrian (1 b2 b3 4 b5 b6 b7)
* Aeolian (1 2 b3 4 5 b6 b7)
Meter:
4/4
Tuning:
* Drop A
* A - E - A - D - G - B
(From thick to thin string)
Tempo:
120 BPM
If you have any questions:
* Give feedback (upper-right-corner)
* My Personal Board
* General Forum
All that being said, grab your axe and let’s break it down to drop A!/ Cosmin