
Kristofer Dahl3rd August 2010Very cool and unpredictable stuff Chowy - I need to check out Pronoia!
Jerry Arcidiacono3rd August 2010Very interesting riffing ideas!
Vasilije Vukmirovic3rd August 2010Great riffs, really interesting...
guitar573rd August 2010Amazing! fantastic riffs! 1000.0000 stars... Congratulations!
Adrian Figallo3rd August 2010incredible chowy!
thefireball3rd August 2010Wow - did you paint your guitar? Looks cool! Nice lesson!
MigeZ3rd August 2010Some sick riffing man
This will prove useful ![]()
Cheers
mhskeide3rd August 2010Hahaha, awesome riffing! will give this a try when my finger infection has decreased to a level allowing me to actually play ![]()
Gerardo Siere4th August 2010Tremendo!
That was so awesome!
Zsolt Galambos4th August 2010Awesome composition, man! Love it ![]()
Piotr Kaczor4th August 2010What an inspiring riffs! Great as always, Chowy! ![]()
Lian Gerbino4th August 2010awesome man! love it! ![]()
Juan Cortes4th August 2010Hey my friend! that is insane man... you have a extreme right hand technique, i need that.
seeya Bro
Chowy Fernandez5th August 2010thanks very much guys!!!i´m working in the 4th part of this extreme metal lessons, some of your coments really make me laugh dudes!!
Ivan Milenkovic5th August 2010Great way to play both solo and rhythm! ![]()
Bogdan Radovic8th August 2010Very powerful sounding! Love the composition!

Hi there GMC lovers!
I´m glad to present this example, a composition I made for my band, Pronoia. It's a new song, just
finished, completely based on the E diminshed scale, with a change in the A minor harmonic scale.
This lesson contains a clear example of how to use tapping in a riff in a very rhythmical way
and as an "ornament" before the transition to another part. The tonic and the flat 5 are marked with
the left hand, while the right hand is in charge of tapping in the octave. If this inspires you new ideas,
try them in different ways and with different notes in each hand. Remember this kind of tapping
not only sounds great when added into a riff but also can solve a problem when you're stuck!
As for the change to A, it's a gloomy melody in the A minor harmonic scale. The spooky sound
is due to the flat 5 and augmented 5, which always give both a dark tone and a special color to any song!
This stuff is worth investigating, dudes! Go for it!
I hope you find this lesson useful. Regards everybody!
Tuning:
Standard
Chords:
E flat5- G5 - F sharp5 - F5 - A5 - G flat5
Techniques:
string skipping
legato
bend
vibrato
riffing
tapping
Scales:
E diminished scale
A minor harmonmic scale