
Kristofer Dahl5th January 2010Great to see a new lesson from you Ivan - your playing is tasty as always and the concept is a very important one!
Emir Hot5th January 2010Great topic Ivan. And the solo rocks ![]()
Gerardo Siere5th January 2010Great lesson Ivan!
Bogdan Radovic5th January 2010Awesome lesson Ivan! Some fresh ideas here! ![]()
Adrian Figallo5th January 2010very nice solo!, is that a fender?
playaxeman5th January 2010Great lesson, useful concept
Love your sound
Is it a Fender?
kaznie_NL5th January 2010That's really cool! Alwasy nice to see some ways to improve my improvisation ![]()
Krisztian Lovrek5th January 2010Great lesson Ivan!
NoSkill5th January 2010That sounds cool, Ivan!
Ivan Milenkovic6th January 2010Awesome lesson with some very cool licks!
Anobody who is interested in horizontal movements and cool rock licks should check this out.
Ivan Zecic6th January 2010Thank you everybody!
I'm really glad that you liked the idea, so I'm going to give you more lessons on improvisation concepts! It will be interesting, I can assure you!
That's a Suhr S1, the second best Strat I've ever played. The best was actually a Suhr Classic, but it was way out of my budget haha
Zsolt Galambos6th January 2010Love it! Your phrasing is awesome ![]()
Laszlo Boross7th January 2010Yes! Very tasty playing Ivan! Really good concept! ![]()
Piotr Kaczor7th January 2010Great playing, Ivan!
Ivan Zecic9th January 2010Thanks guys! ![]()
Gary9th January 2010Tasty chops indeed!! great phrasing throughout..love it.
Berglmir10th January 2010Fantastic lesson & sound!
"Have you ever felt like you were stuck in a rut while improvising?" YES!!!
So looking forward to learn this!! Thanks!
skennington10th January 2010Very tasty Ivan! Love these licks and that strat sounds great! ![]()
Ivan Zecic10th January 2010Thanks!
There will be more lessons on improvisation...
Vasilije Vukmirovic10th January 2010Great lesson! ![]()
Ivan Zecic10th January 2010thanks! i'm glad you like it!
kahall11th January 2010What can I say. Learn it, fire up the backing track and you will be inspired. Do as Ivan does here and you to can crank up the drive like you have always wanted, and you know you have always wanted. Just another outstanding lesson at GMC.
Ivan Zecic11th January 2010
Gabriel Leopardi12th January 2010Nice phrasing and amazing vibrato! I always enjoy your playing in your lessons!
Ivan Zecic12th January 2010thanks!



Have you ever felt like you were stuck in a rut while improvising? Let me introduce you to improvisation concepts which will open your eyes, so you'll never ever have to repeat the same thing twice in your playing!
In this lesson we are going to work on contrast between high and low notes. There are many different types of contrast and that's why it's so popular in art in general, but today we are going to stick to this high/low type of contrast.
It is a really simple thing and it can be extremely easy to apply it. The easiest way to do it is: take a simple phrase, play it in the first position of A minor pentatonic scale (if you are playing over this backingtrack) and then repeat the same thing 12 frets higher! See how simple it can be? You only need to know a single scale position and you can already apply it.
If you are a little bit better, you can play it anywhere on the neck, not only in the first position and 12 frets above. It can become even more interesting if you change the first phrase just a bit, so it doesn't sound exactly the same.
But those two phrases don't have to be similar at all. You can play two completely different things, but if you arrange them so one phrase is high and the other phrase is low, it surely won't sound dull.
You don't even have to apply this contrast only on phrases. You can play one whole part of the solo really low, and the other part high, and it will also sound cool. You can even divide it into bars (2 bars high and 1 bar low, for instance), or you can actually divide a single phrase into high and low part. This one could sound really cool, but it could be a bit tricky because you'll have to be precise and fast when jumping from one place to another.
At the end of the solo I played a faster part where you have to jump over 12 frets. It will be a great excercise for you to improve your left hand coordination and precision, because being precise when jumping around can be very important when you are playing around with high/low contrast.
And like I always say: Pay attention to your vibrato and bending!!!
Have fun with this lesson!
Ivan