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Ben Higgins16th December 2010Wow, this is very tasteful Jonathan ! Lovely tone, great phrasing.. and a very jam-tastic backing track !! :-D
Bogdan Radovic16th December 2010Awesome lesson Jonathan! ![]()
Daniel Realpe16th December 2010great phrasing! that's a nice guitar!
Lian Gerbino16th December 2010cool lesosn man!
Sollesnes16th December 2010Cool lesson ![]()
Ivan Milenkovic16th December 2010Very nice sounding lesson, and great passages, love this one! ![]()
Fernando Culen17th December 2010Great lesson man! Kenny is a fantastic player!
Jonathan Burgos18th December 2010thanks friends!
Sinisa Cekic20th December 2010Beautiful blues phrases,cool lesson !
Zsolt Galambos21st December 2010Awesome lesson on phrasing! I always love to listen to your lessons, man, they are top noch quality ![]()
Hamilton17th February 2012How i get the tab of this excepcional riff? I?m working in this song. Please someone can help me?
Bogdan Radovic18th February 2012
Hamilton18th February 2012Cheers,
Bogdan
Thanks for answer but the tools of this lesson not have the riff, only the solo. Do you understand?
Bogdan Radovic19th February 2012



Hello GMC´ers! Today we will be studying one of the greatest modern guitar players of classical blues. He could be considered an "artistic son" of Steve Ray Vaughan. The sound, vibrato, and bending are all characteristics of these players, however the fundamental and most important to tell them apart, will be show in this lesson.
Using the pentatonic scale with melodic phrasing distinguishes the Kenny Wayne Shepherd style. The guitar solos compare to the best style of SRV, but it's the melody that makes the singer of the compositions by Wayne. I'll play in the classic style and mix it with bluesy work by the singer.
Chord Progression:
Cm7 – Fm7– D#7 - D7 – G7
Techniques:
* Legato
* Bending
* vibrato
* Alternate Picking
Scales:
C Minor Pentatonic + blue notes + 5º + 9º
If you have any questions:
* Give feedback (upper-right-corner)
* General Forum
Enjoy!/ Jonathan
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