
Kristofer Dahl17th September 2009Beautiful Vasilije ![]()
playaxeman17th September 2009Great.
Very useful stuff
Sensible Jones17th September 2009I love that Swing Style!!! Great stuff!!! ![]()
Stephane Lucarelli17th September 2009Nice one Vasilije!
ItsMe17th September 2009love that lesson
Zsolt Galambos17th September 2009Lovely ![]()
Pedja Simovic17th September 2009Very cool lesson Vasilije ![]()
berko17th September 2009Wow, I love the feel of this one ![]()
Toni Suominen17th September 2009Smooth lesson mate!
Jonathan Burgos17th September 2009
Enjoyable Lesson partner! you are a great guitarist! well done. ![]()
Bogdan Radovic17th September 2009Great lesson! ![]()
kaznie_NL17th September 2009Quite advanced theory, nice lesson!
Emir Hot17th September 2009Awesome lesson man. Really beautiful.
Ryan17th September 2009I enjoyed this lesson... Very well done!
Gerardo Siere17th September 2009Great job! Thank you!
Laszlo Boross17th September 2009Great jazz lesson Vasilije! Very useful. ![]()
Sergio Dorado18th September 2009Sounds great!
Sinisa Cekic18th September 2009So sweet and cool Vasilije !! ![]()
Ivan Milenkovic18th September 2009Sounds great Vasilije, you are playing some cool jazz man.
Vasilije Vukmirovic21st September 2009thanks guys!
Marcus Siepen26th September 2009awesome lesson, I love it!


Hi GMC!
In this lesson I will demonstrate application of some unusual chords, minmaj7, as well as some latin harmony patterns. The song is in the key of G minor and the chords used are:
G min6, F min6, Gminmaj7, A min7-5, D7, C min7-5, D# maj7, D aug, G min7, G min6, D aug.
Most of them can be substituted, for example instead of G minmaj7, you can just play G min9, though minmaj adds some extra tension. Then, C min7-5 is already substitution for D7#9 which is common in this type of progressions. When you strum make sure to pick notes hard, and to maintain rhythmical pattern even.
Enjoy!
Regards!
Vasilije