
Ivan Milenkovic28th May 2010Great arpeggio workouts, sounds excellent ![]()
Piotr Kaczor28th May 2010Wow, what a cool lesson, Vasilije! Really like it!
Adrian Figallo28th May 2010very nice man!! love that "tension" feel
Stephane Lucarelli28th May 2010Interesting Vasilije, great lesson !
Bogdan Radovic28th May 2010Great lesson Vasilije! Very fresh sounding! ![]()
Daniel Realpe28th May 2010oh, this is great! I can certainly find it useful
Sinisa Cekic30th May 2010Wow, great licks and playing, Vasilije
!!
Lale Nikic30th May 2010e tebra eeeextra!!! sounds great... i like
Jonathan Burgos2nd June 2010you ara a master my friend! your lesson are so cool!






Hi GMC!
Major 7 chords generally are not used to create tension, they are smooth, but when we create chord structure that is itself “out of the box”, interesting things can happen. That is what’s happening in this solo. Maj7 are played in different positions, in different shapes, using 2-notes-per-string patterns, legato technique, and one position playing. At the end there is a short chord sequence which resolves the solo in C# maj7! Harmony is following: G maj7, F maj7, F maj7, C maj7, D# maj7, Bb maj7, C# maj7
Enjoy!
Vasilije