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Kristofer Dahl4th November 2010Fantastic Zsolt - one of my all time favorite solos perfectly executed! =D
Zsolt Galambos4th November 2010Thank you, Kris ![]()
Mate Nagy4th November 2010That was AWESOME man! ![]()
Zsolt Galambos4th November 2010Thanks man, did my best here ![]()
Jerry Arcidiacono4th November 2010Yes, great playing ![]()
Zsolt Galambos4th November 2010Thanks, Jerry! ![]()
Adrian Figallo4th November 2010wow, incredible playing man!
Zsolt Galambos4th November 2010Thanks, man! ![]()
Ben Higgins4th November 2010Great performance Zsolt.. that's a very difficult solo to get right too ! :-)
Ramiro Delforte4th November 2010Awesome as always Zsolt!
thefireball4th November 2010Amazing! You made it to 9/10 difficulty! ![]()
Crazy_Diamond5th November 2010Great chops man !!!
Zsolt Galambos5th November 2010Thank you, my friends! ![]()
zen6th November 2010I'm gonna start calling you "The incredible Zsolt"
m/
Ivan Milenkovic6th November 2010Cool solo, some very nice licks in there! ![]()
Lian Gerbino8th November 2010killer take man! those jumps over the fretboard are really hard!!!
Quibanez8th November 2010That is an epic solo, thanks
Evil_Invader8th November 2010Awesome, thanks!
Zsolt Galambos9th November 2010Thank you, guys! I do hope that you are having fun practicing it ![]()
Daniel Realpe9th November 2010This is incredible! you nailed it down to the core! One of my favorite solos too
Zsolt Galambos10th November 2010Great to hear that, bro! Thank you! ![]()


Hi GMC-ers! It is the time for some serious shredding solos from the master himself, Marty Friedman.
When playing, Friedman often uses arpeggiated chords and various customized scales. He also occasionally uses sweep picking. He has a very unorthodox right hand picking technique. The angle in which his hand is clenched goes against the conventional palm mute. He also frequently uses the upstroke as opposed to the downstroke, especially on the high strings (strings B and E). These qualities make Friedman's solos unique and hard to duplicate using an alternate picking approach. ("Marty Friedman" Wikipedia: The Free Encyclopedia)
The solo is a quite difficult. It contains phrasing only Marty was capable of doing at that time. The B Hirayoshi scale blazes through 3 octaves on 320 BPM, and the solo is flavored by sweeping/arpeggios in Marty style.
Tuning:
* D - G - C - F - A - D
(From thick to thin string)
* Down a whole (2 frets) step
Techniques:
* Bluesy phrasings
* Staccato
* Sweeping/arpeggios
Scales:
B Hirayoshi
Have fun!/ Zsolt