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Kristofer Dahl29th March 2010Lots of Cacophony vibes - very cool Chowy!
Bogdan Radovic29th March 2010Very creative leads ideas! Useful lesson! ![]()
thefireball29th March 2010I loved the harmonies!
Ivan Milenkovic29th March 2010Very cool ideas here man, sounds very modern, and cool ![]()
kaznie_NL29th March 2010Sounds cool, a lot of madness ![]()
Lian Gerbino29th March 2010awesome solo man! well done!
Wilska29th March 2010Those are some sweet licks Chowy!
Adrian Figallo29th March 2010woa that's a crazy paranoid solo, i love it!
Piotr Kaczor30th March 2010Agree with Kris-this composition reminds of Cacophony. Awesome playing by the way! ![]()
zoom30th March 2010Man I love it just awesome! Really love your playing Chowy.
Marcus Siepen30th March 2010very cool stuff here, great lesson
Stephane Lucarelli30th March 2010Great playin' man!
Zsolt Galambos31st March 2010The music that I like most ![]()
Marty and Jason rules big time!
Great lesson, man!
Sinisa Cekic31st March 2010Cool lesson & playing
!
Emir Hot1st April 2010Great modal approach and great playing.
Jonathan Burgos3rd April 2010Ess impffsiiibleee!!!! (That is impossible!!)
Chowy Fernandez5th April 2010

Hiya, sick people! I made this exercise inspired by two of my favorite players, Marty Friedman and Jason Becker, and their Cacophony saga. I recommend the whole solo discography of both players if you want to surf the scales adding strange metal melodies to it. Also listen to Marty's solos in Megadeth, they're epic, awesome,spectacular works!
First of all, pay attention to tuning! The whole guitar is tuned one step down, but the sixth string is in C, that means two steps down. It's more comfortable to play open chords with this tuning.
The whole thing is in G minor9, rhythmically just one part, divided into two sections which are played alternatively. The section at the beginning is composed by chords in Eb maj7, with some chords in g minor9 and D7/F# in the middle, which allows you to create lidian Mode licks on Eb maj7 in the Hirahoshi scale (typical of Mr. Friedman), Aeolic/dorian licks in G minor9 and diminished licks in D7/F#, then back to the root note and a short Phrygian bridge in A minor9.
The second section uses major arpeggios and chromatic notes, lidian mode in A Flat maj7, Diminished licks, Dorian mode in C minor9 and B Flat 7. Then the first section starts again, then comes the second once more and over and over until the end.
And in the end of the example ends in G major using a short armonic minor lick.
Hope you learn a lot with this metal modal madness solo! LOL
Distortion:
some reverb - delay and a lot of POD distortion
Tuning:
guitar tuned one step down, sixth chord two steps down in C (barred tuning)
Chords:
Eb maj7 - G minor9 - D7/f# - A minor9 - A Flat maj7 - C minor9 - B Flat 7
Techniques:
picking
sweep picking
legato
bends
phrasing
twin guitars harmonization
Scales:
Hirahoshi scale
Jonic
Diminished
Aeolic
prhygian
Pentatonic minor
Hirahoshi scale