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Kristofer Dahl4th February 2011Hehe spot on - loved the funion:esque beginning and the progressive licks Juan!
Piotr Kaczor4th February 2011Fantastic composition, Juan!
Jerry Arcidiacono4th February 2011I like the mood of this lesson, good job Juan!
Ben Higgins4th February 2011Crazy licks Juan !! Love it !
Juan Cortes4th February 2011Thank you guys!!! I'm glad you like it! btw I'm really happy for the Carvin's return!!!
Ivan Milenkovic5th February 2011Excellent progressive stuff man! ![]()
Juan Cortes7th February 2011Thanks a lot Ivan!
Daniel Realpe8th February 2011Spacial! very well elaborated composition
Zsolt Galambos15th February 2011Great riffage and licks, man ![]()

Hello GMC'ers! I prepared this lesson in 5/4 using only a C-chord on the bass. However in the harmonic section, there are chords formed with melodic structures such as root, 2nd, and 5th. These chords give a rigid feel and with lots of space.
In the melodic section I used notes from the C- pentatonic scale, and then continued with a pattern in sixteenths on the C-scale using alternate picking. It´s a simple pattern yet very rewarding when generating a rush of notes. It goes well with some simple bends and some open pentatonic phrases. It then ends with a fast phrase using legato.
Pay close attention to the rhythmic part at the beginning which goes on for the rest of the theme and together with bass drum. It´s very important to study rhythms such as 5/8 or 5/4 called odd meters, which are so often used in progressive music styles with great bands such as Yes, King Crimson, Rush, or newer bands such as Dream Theater or Planet X.
Techniques:
* Riffing
* Legato
* Alternate Picking
* Bends
Scales:
C Minor Pentatonic
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C Minor Pentatonic: