
Kristofer Dahl24th July 2010Wow mind blowing riffing and very relevant topic Lale - this approach can be used in all musical styles and is a very strong 'riffwriting' tool. Love your explanations as well!
zen24th July 2010Love it !!
Piotr Kaczor24th July 2010What a riffs! Awesome, Lale!
Zsolt Galambos24th July 2010Killer riffs, man! ![]()
thefireball24th July 2010Insane!
Gerardo Siere24th July 2010Amazing riffing, great job!
Challisman24th July 2010Wow, loving this Lale. Messes with your mind in a nice way. On my to do list!
Adrian Figallo24th July 2010amazing riffing man!
alvaroshredd25th July 2010VERY COOl lale xD
i love this style!
Ben Higgins26th July 2010Very cool playing Lale - I think it's important for musicians to step outside the box and get used to playing odd rythms ! :-) Great Job !
Daniel Realpe27th July 2010You are a band's dream guitarist, tight as hell! and great tone!
Daniel Realpe27th July 2010You are a band's dream guitarist, tight as hell! and great tone!
Daniel Realpe27th July 2010You are a band's dream guitarist, tight as hell! and great tone!
Lian Gerbino27th July 2010cool playing man, so tight! love it ![]()
Vasilije Vukmirovic28th July 2010Very impressive! ![]()
Karl-ss29th July 2010haha DEATH METAL! This stuff sounds like something Id use in a song! Awesome man!
Jerry Arcidiacono29th July 2010Killer riffing!
Dejan Farkas1st August 2010Fast and tight ![]()
Ivan Milenkovic5th August 2010Killer riffing! ![]()
thefireball14th December 2011What happened to this guy? He is killer!!








Hi everybody,
In this lesson we are going to cover the topic of shifting the accents when playing odd time metal rhythm.
Shifting accents involves playing with odd time feel, while using the 4/4 time signature. As we will use mostly triplets in this lesson, we can add or take one group of triplets out of a rhythmical phrase, which will leave use with rhythmical phrase that always starts in the different part of the bar when repeated. This will create an interesting rhythmic effect, specially if the drums are played in similar fashion.
As far as technique goes, you must be able to play eight note triplets at this tempo very tight. We will use 225bpm tempo, and picking the triplets all the time. There is also lot of palm muting involved, so it can be tricky to alternate between regular and palm muted picking at this tempo. But if you rehearse it slowly, it will be allright.
The tuning in the lesson is D standard, whole step down from E standard.
Have fun, and stay metal |m|
D blues
D Phrygian dominant