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Kristofer Dahl18th October 2009Super nice lines Stephane! 
Very interesting scale with four consecutive chromatic notes - looks like great potential for a jazz sound, I must try it!
Sergio Dorado18th October 2009Very tasty phrasing. Sounds an authentic jazz!
Staffy18th October 2009Interesting point of view. I've always treated the mixolydian with passing tones all over, which really enables all 12 notes, as long as You lands on appriate chord tones. Great sounding phrases and a cool approach!
Staffy18th October 2009Btw. How do You get that cool jazzy tone from a strat ??
Bogdan Radovic18th October 2009Very cool lesson Stephane! You got a great jazzy tone there! 
Alexiaden9318th October 2009That was some really smooth playing ! Especially after the bend at 0:38 ! Awesome lesson, and really groovy rhythm
Stephane Lucarelli18th October 2009Thanks a lot guys for the comments!
Try this scale with a little overdrive/dist in a fusion/jazz fusion context... 
Sensible Jones18th October 2009Great sounding phrases Stephane!!
Laszlo Boross18th October 2009Nice and very useful lesson stephane!
Muris Varajic18th October 2009Ultra smooth licks, well done Stephane!
Zsolt Galambos18th October 2009Very cool sounding lesson
kaznie_NL18th October 2009Nice one Stephane! I really love the litle double stop bend at 0:35!
Pedja Simovic18th October 2009Nice lines Stephane, I enjoyed the backing a lot
Ivan Milenkovic18th October 2009Sounds really cool man, I like the licks a lot, very nice!
Emir Hot18th October 2009Great approach to producing jazzy lines. Well done
Gerardo Siere18th October 2009Great lines there!
Jonathan Burgos19th October 2009I have the same words of Muris for you: Ultra smooth licks, well done Stephane!
I Love it, man! great lesson.
Stephane Lucarelli19th October 2009Thank you guys!
David Wallimann19th October 2009Very nice licks, I'm going to steal some of these!
Marcus Siepen20th October 2009Cool lesson, souns very jazzy
Stephane Lucarelli20th October 2009Thanks David & Marcus!
Sinisa Cekic21st October 2009Great licks indeed, Stephane !
Stephane Lucarelli21st October 2009Thanks Sinisa !
Jerry Arcidiacono22nd October 2009Great lesson (and tone) about an important scale.
Well done Stephane
Stephane Lucarelli26th October 2009Thanks Jerry!
The Bebop Dominant Scale is basically a Mixolydian mode with an extra note : a natural 7th. Used in Jazz of course, but also in Jazz Fusion, to add interesting colors to your improvisations.
The Bebop Dominant Scale is basically a Mixolydian mode with an extra note : a natural 7th.
For F7 chord we've got the following bebop scale :
F G A Bb C D Eb E
1 2 3 4 5 6 b7 7
The Bebop Scale works best descending but could also be used ascending.
This 8 notes scales gives you the ability to play chord tones on all downbeats.
When you start the bebop scale on the beat and on the 1,3,5 or b7, there are nothing but chord tones on the beats and tensions on the off beats.
Don't start the bebop scale on offbeat's or tensions, always start on downbeats and on chord tones.
The Bebop Scale is a dominant scale and has the same function in a key as the Mixolydian scale. It can be played on the dominant and the sub dominant. Our example, the F Bebop Scale, is the dominant of Bb Major and can be played over F7 and Cm7, and also over Am7b5.
Have fun,
Stephane
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