Bebop Arpeggios Lesson 3

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- Kuba Szafran4th November 2008
  Interesting material Ramiro, thanks !
- Piotr Kaczor4th November 2008
  Useful stuff Ramiro!
- Muris Varajic4th November 2008
  That was very chilly and jazzy,good work.
- Bogdan Radovic4th November 2008
  Nice lesson Ramiro!
- Ivan Milenkovic4th November 2008
  Sounds very cool man, smooth lines
- Zsolt Galambos4th November 2008
  Cool jazzy lesson, Ramiro!
- Tolek4th November 2008
  Nice. This is a good exercice for memorizing the bebop scale. I recently discovered it and now I know what I was playing, haha!
  Good work, Ramiro.
- kaznie_NL4th November 2008
  Thnx Ramiro, very unique sound this bebop gives!!
- Pedja Simovic4th November 2008
  Nice one Ramiro !
- Nazgul4th November 2008
  Very interesting scale. I will learn this when I've the time.
- Emir Hot4th November 2008
  Interesing note choice. Nice one.
- Ramiro Delforte4th November 2008
  Thank you guys!
  Tolek: I'm not using the bebop scale I'm just playing some embellishment notes around the arpeggio.
- Gerardo Siere4th November 2008
  Nice lesson.
- Hisham Al-Sanea4th November 2008
  great one Ramiro.interesting
- Dejan Farkas4th November 2008
  Very nice
- Sergio Dorado4th November 2008
  Cool lesson!
- Sinisa Cekic5th November 2008
  Smooth & relaxing tone,excellent!
- Nemanja Filipovic5th November 2008
  Nice lesson Ramiro,thanks.

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- Tags: Bebop, Arpeggios, Charlie Parker
Hi GMC! This is the final lesson of the series that explains how to embellish an arpeggio in Bebop style. In the previous lessons we had seen how to approximate all the chord tones with chromatic from below and diatonic from above. This last lesson combines all the approximation notes to create that original sound that Bebop players like Charlie Parker uses. Also is a type of embellishment that traditional jazz players (after Bebop) use.

The progression still the same of previous lessons: Am7- D7- Gmaj7 – F#m7 – B7 – Emaj7 – Ebm7 – Ab7 – C#m7 (Dbm7)- F#7 – Bmaj7

I hope you have fun doing the lesson!

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