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Muris Varajic1st February 2009I just love this kind of playing
and use of this scales,
sounds sooo freshy, good job Sinisa!! 
ErikEklund1st February 2009love your licks, thanks Sninisa
Emir Hot1st February 2009Excellent !!!
Nighthawk11st February 2009Awesome bluesy fresh air ! What type of guitar is that, can you tell me? Looks (and sounds) awesome. Cheers, mate
Hisham Al-Sanea1st February 2009very bluesy Sinisa. welldone
Kuba Szafran1st February 2009You're right Sinisa, that definately sounds different than usual pentatonic stuff. Cool lesson !
Toni Suominen1st February 2009Great licks Sinisa!
berko1st February 2009Wonderful playing and interesting scale to check out!
Sinisa Cekic1st February 2009tnx guys !!
@ Nighthawk1:
Ibanez Sc 3120 J Custom 
purple hayes1st February 2009Very nice. I'm learning this one for sure.
Ivan Milenkovic1st February 2009Love this arpeggio style playing, great!
Nighthawk11st February 2009Ibanez Sc 3120 J Custom..Ok Thanks!
Outlaw21121st February 2009nice and smooth... excellent lesson, thanks
Trond Vold1st February 2009Love it! Sounds really cool
Nazgul1st February 2009Great, a new flavour. 
Sounds very interesting.
inertia1st February 2009beautiful playing Sinisa
kaznie_NL1st February 2009Very bluesy Sinsia! Thanks!!
Bogdan Radovic1st February 2009Great lesson Sinisa !! Love this style!!
Sinisa Cekic1st February 2009You are welcome mates,Tnx !
Piotr Kaczor2nd February 2009Sounds just great, Sinisa! Fantastic lesson!
Wilska2nd February 2009Awesome Sinisa! Love the style, makes me happy =)
Pedja Simovic2nd February 2009Excellent lesson Sinisa, mixolydian is great
David Wallimann2nd February 2009Great lesson man!
I love your phrasing, very melodic and structured yet always interesting. Thanks for this lesson!
Ramiro Delforte2nd February 2009Nice phrasing mate!
Keep them comming
Sinisa Cekic2nd February 2009Thanks a lot ,glad you like it 
Sergio Dorado3rd February 2009Love the lesson. Great sound, and there are a lot of awesome phrases. Amazing!
Kristofer Dahl3rd February 2009So smooth and cool Sinisa - awesome lesson thanks!
Carlos Carrillo3rd February 2009Nice phrasing mate and very cool lesson too! your licks are very interesting! 
Dejan Farkas3rd February 2009I like your playing a lot
Sinisa Cekic4th February 2009
Jandewitte2nd November 2011I really like the lesson but the tabs in the first part are not correct, don't know about the rest yet.
Sinisa Cekic2nd November 2011Thanks Jan, I'm gonna check it out and get back to you.
Jandewitte2nd November 2011I'm really dissappointed that this lesson is not ok. The tabs aren't correct and the 'slow' parts from 1 to 5 are not correct either. Too bad, I"m moving to another lesson.
Sinisa Cekic2nd November 2011I'm sorry to hear that. It was one of my first lessons,three years ago, and I obviously wasn't trained in editing! As for the slow parts, I see that the number 3 and 6 are in slow motion, strange!
Hey GMCers! This new lesson is about the coolest (in my humble opinion) rock-country-blues scale !
Much lessons is made about the blues and pentatonic scales for creating cool bluesy solos. Minor pentatonic ,Major pentatonic ,Blues scale,again Minor pent., then Major, blues, mix a bit... and sometimes sounds.. -bored!
But here’s another scale that’s useful for making richest solos: the Mixolydian scale. I dont want talk much about this scale,you have enough lessions here about it,just to notice how the notes in each Mixolydian scale contain the arpeggios, or chord tones, for chords in the A blues. For example, the first measure would be an A7, if you were playing chords.
So, the arpeggio notes for A7 are A, C#, E, and G. Adding D and you have pentatonic of course :)
When you make solo with the this scale, you want to make sure the strong beats tend to use the notes A, C#, E, and G - the tones of the A7 chord. So what is the point?! If the passing tones from the A Mixolydian scale fall on the strong beats, your playing won’t sound like the blues. :)
Ok folks,here is example and chord progresion:
A7,D7,E7
4/4,tempo 105bpm..
But,let's see this interesting example:
Let’s say you are playing this chords progression: A, G, and D. All of these chords are in the key of D major. What dominant 7th chord goes with the key of D major?
Yes, A7. So you can play an A Mixolydian scale on top of this progression. Sounds less bluesy?
Have fun..
SC
