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Red7th May 2009There's so many sharps...
Very nice lesson ![]()
Gerardo Siere7th May 2009Nice aproach, thank you.
Ivan Milenkovic7th May 2009Coool! What a nice progression! ![]()
Emir Hot7th May 2009awesome
Sensible Jones7th May 2009Great stuff Vasilije!! This sort of thing is what I've been trying to learn for a while!!! ![]()
Hisham Al-Sanea7th May 2009good job Vasilije.
Vasilije Vukmirovic8th May 2009Thanks guys! I love this easy-harmony stuff, could play it all day long...
Pedja Simovic8th May 2009Wonderful voice leading Vasilije !
Bogdan Radovic8th May 2009This sounds great !! Love the melody on top.
Frederik8th May 2009Thanks Vasilije
really like the steadyness the repeated not provides as well as the chord progression.
will keep this principal in mind when composing
-Frederik
Sinisa Cekic8th May 2009Nice nice , very melodic ![]()
Muris Varajic8th May 2009Nice voicing!
Matt2313th July 2009Great lesson. ![]()





Hi GMC!
Today we will also look at the chord pivoting, and what we can do with it. Harmony will be famous I-VI-II-V chord progression in the key of F#. So, chord are F# maj7, D# min7, G# min7, C# 7. There are three parts in which pivot note is different, so in the first part we have A#, then in second F#, then C#. This example contains lots of chord voicings, some of which are pretty unusual, like C# 7 in the second part. Memorize those chord shapes to expand your chord vocabulary. I-VI-II-V progression is great for experimenting with different chord voicings, try to invent your own, try with different pivot notes, and be sure to stay in the key.
Enjoy!
Regards!
Vasilije Vukmirovic