Chord Pivoting #2

Jazz Lesson, by Vasilije Vukmirovic
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Vasilije Vukmirovic
THEORY LESSON. Using I-VI-II-V progression with pivot notes.
Tags : chords, theory, jazz

Hi GMC!

Today we will also look at the chord pivoting, and what we can do with it. Harmony will be famous I-VI-II-V chord progression in the key of F#. So, chord are F# maj7, D# min7, G# min7, C# 7. There are three parts in which pivot note is different, so in the first part we have A#, then in second F#, then C#. This example contains lots of chord voicings, some of which are pretty unusual, like C# 7 in the second part. Memorize those chord shapes to expand your chord vocabulary. I-VI-II-V progression is great for experimenting with different chord voicings, try to invent your own, try with different pivot notes, and be sure to stay in the key.

 

Enjoy!

 

Regards!

Vasilije Vukmirovic

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 




 

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