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Kristofer Dahl19th April 2009Beautiful Gera - and very useful series concept!
berko19th April 2009Yes, the concept is new... and immensely useful! I love these chord-melodies! ![]()
Pedja Simovic19th April 2009This will be great series, excellent first piece !
kaznie_NL19th April 2009Thanks Gerardo!
Ivan Milenkovic19th April 2009Awesome series man, great stuff! ![]()
Jerry Arcidiacono19th April 2009Beautiful lesson Gerardo! I want an HD camera too ![]()
Bogdan Radovic19th April 2009Sounds beautiful! Its a very good idea to cover pieces that are often featured in admission exam for music schools! ![]()
Carlos Carrillo19th April 2009Ger! your sounds are incredible! beautiful lesson!
Gerardo Siere20th April 2009Thank you guys, I´m glad you like it. I hope this become useful some day.
Sinisa Cekic21st April 2009Again beautiful piece ! ![]()
David Wallimann27th April 2009Once again, you created a very very cool lesson man!
Emir Hot28th April 2009just great as always
ItsMe15th May 2009Ooh I love this one



Welcome to the entry level series, this series is designed to show you several piece you may find in an admission exam for studying classical guitar. I will be gathering several pieces from the index of some well known educational books on this topic. Styles will go from antique music to romantic music. Unfortunately I will be unable to cover contemporary music due copyright matters.
This one is very simple dance, with very simple form, A-A, B-B. Both A and B 16 measures long with two parts of 8 measures each.
I play this piece in a kind of romantic way, but to play it in correct style I suppose that we should be more straight with the rhythm (it is a dance after all), this kind of romantic interpretation was very common during the first half of XX century (Segovia, Llobet, Anido, Presti, etc). I don´t think that in a admission exam will pick on you very much on interpreting form and style, but they will inquire that you can play the notes with reasonable ease on rhythm, volume, timbre and dynamics (the rest they can teach you once you are in, but often mechanical habilities are preferred as they are very hard to teach in the very elemental levels).
The idea of this is that you try to play this, and where you can´t get a good execution then stops and trying to figure out where is the mistake or the problem (it may be a bad fingering or a bad movement or both), if you can figure it out what's wrong, then ask me, that´s what I´m here for after all, I will try my best to help you. Have fun!.