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Muris Varajic31st January 2009These scales sound very unfamiliar and new to me
Ramiro, must do some reading for sure,
thanks for this lesson! 
Ivan Milenkovic31st January 2009Very cool Ramiro, sounds really interesting and the tone is nice and smooth as well!
Pedja Simovic31st January 2009Keep them coming , great scale Ramiro !
Kuba Szafran31st January 2009Thanks for sharing so many new scales with us !
Emir Hot31st January 2009Very nice scale. And chords are great in the back. Well done
Bogdan Radovic31st January 2009Great job on this series Ramiro!!
mhskeide31st January 2009holy cow how do you keep control of all the scales 
?
Nazgul31st January 2009Same question. How do you know all those cool and exotic scales?
Ramiro Delforte31st January 2009Well, I first understand the theory and then after playing over the progression the sound of each degree becomes more familiar. Then I compose the solo
Toni Suominen31st January 2009Great stuff Ramiro!
berko1st February 2009Thanks Ramrio! I think I'm gonna dive into this one... as well 
Sergio Dorado1st February 2009Great job Ramiro!
Hisham Al-Sanea1st February 2009nice work in exotic scales Ramiro.
Alejandro Pinero2nd February 2009Cool Scale !!
Saludos Ramiro!
Dejan Farkas3rd February 2009Sounds interesting, well done
Ramiro Delforte4th February 2009Thanx again guys!
I'm glad you're enjoying those exotic sounds 
Hi GMC! Welcome once again to the Exotic Scales series and to the second part of the Enigmatic Ascending scale. In this lesson we will see the application of the scale. I composed a solo so you can get ideas, patterns, arpeggios and different things to start approaching this new scale sound.
The techniques used in this lesson are:
- Tapping
- String Skipping
- Legato
- Sweeping
- Sliding
I hope you have fun playing the solo and you can make one of your own. If you do please post it so we can discuss about.
I hope you enjoy the lesson!
Here is the chord progression: C7 (#5 b9)- A#m7 (b5)- Dbm - C7 (#5 b9)- F#7 (#11)- G#7 (#5 #9)- C7 (#5 b9)- Bsus4- E- G#7 (#5 #9)- C7 (#5 b9)- Dbm- A#m7 (b5)- C7 (#5 b9).
