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Emir Hot27th February 2009Very cool scale. Sounds weird but deffeinitely can be used in songs.
Muris Varajic27th February 2009Such an interesting scale!!
David Wallimann27th February 2009Nice lesson Ramiro, this has kind of a Zappa sound to it. Also reminds me of some of Vai's Flaxable album...
berko27th February 2009Great stuff! I loved the last cadence
Bogdan Radovic27th February 2009Very good lesson Ramiro! 
Ivan Milenkovic27th February 2009Some very interesting scales in there man!
Gerardo Siere27th February 2009Very interesting stuff Ramiro.
Sinisa Cekic27th February 2009Amazing , i recognize some Gambalishe licks here!
Locrian are weird ,but sounds very fresh,good job !!
Ramiro Delforte27th February 2009
Nazgul27th February 2009Really weird scale. 
But you are surely the master of these and present them very well. 
Piotr Kaczor27th February 2009Sounds amazing, Ramiro! and yes, this is very flexablish scale
Ramiro Delforte27th February 2009 But you are surely the master of these and present them very well. 
Lian Gerbino27th February 2009oh no!!! another one, I´ve learned 3 of them and my head in burning!!! another awesome work bro!
keep them coming!
Pedja Simovic28th February 2009Really cool scale Ramiro have learned and used it before - nice to see a lesson on it !
Ramiro Delforte28th February 2009
Hi GMC! Welcome once again to the Exotic Scales series and to the second part of the Locrian #2 natural 3 scale. In this lesson we will see the application of the scale. I composed a solo so you can get ideas, patterns, arpeggios and different things to start approaching this new scale sound.
The techniques used in this lesson are:
- Tapping
* Sweeping
* Legato
* Sliding
* Pre-Bending
I hope you have fun playing the solo and you can make one of your own. If you do please post it so we can discuss about.
Be free to ask any questions. I hope you enjoy the lesson!
Here is the chord progression: C7(b5#9)- Emaj7- Fm maj7- Bbsus2- Bbsus2/C- Bbsus2/Gb- D#m6- Bbsus2- Bbsus2/C- Gb7(b5)- Ab7- C7(b5#9)- Emaj7- Fm maj7- C7(#5).
