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Muris Varajic5th February 2009Ohhhh, this was waaaaaaaay beyond smooth,
hat down bro!!!!!
Kuba Szafran5th February 2009Sounds really cool David
!
Ivan Milenkovic5th February 2009Awesome lines David, sounds excellent! ![]()
Nighthawk15th February 2009Hey there this is David Walliman for GuitarMasterClass dot net...this phrase follows always a brilliant lesson
Thanks David ! Very helpful and good explanation as always
Emir Hot5th February 2009Great lines
kaznie_NL5th February 2009Thanks David!
Vasilije Vukmirovic5th February 2009Smooth!
I think this will be very helpful for students!
David Wallimann5th February 2009Thanks a lot guys!!!
Pedja Simovic5th February 2009Cool lesson and ending voicings are great ![]()
Toni Suominen5th February 2009Smooth licks David! ![]()
Hisham Al-Sanea5th February 2009nice feelings David.
Dejan Farkas5th February 2009I love this style ![]()
Nazgul6th February 2009Great phrasing and a smooth sound, awesome to listen to. ![]()
Crazyfret25th February 2009Gr8 lesson David you've opened my eyes and ears! A very simple concept but very emotive! I congratulate you on your very easy to understand explanation
Why didn't I find this out for myself years ago?
Canis29th April 2009This defines smoothness ^^
I have a love for arpeggios, so I'm gonna sit down and learn every bit of theory I can from this lesson!






Arpeggios are an excellent way to add some melodies to your improvisations. In today's lesson we'll take a visual approach to building some extended arpeggio licks in the key of E Dorian. It is very important that you are familiar with at least a few scale positions of the mode you work with. As you know, the guitar offers a lot of different fingerings for the same scales, that is because of the nature of the instrument allowing us to play the same note on different frets.
I decided to write the whole Dorian scale notes over a full guitar fretboard underneath in order for you to "make up" your own preferred scale positions. In order to improvise with arpeggios, all you need to do is play those notes skipping a few each time. There is no need to worry about the name of the arpeggio used in the following licks as we are trying to take a visual approach to our lead. Every arpeggio you come up with will work as we are using the full scale to play over the chord progressions.
You will probably like more than others, and those are the ones you need to work on and develop into your own music. Study well and keep everything as clean and precise as you can.
Have fun!