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David Wallimann3rd March 2009Very nice topic man!
I always enjoy you lessons, they are a great mix of practicality and theory. Good work!
Nazgul3rd March 2009Chill time!
Great lesson Alejandro!
Pedja Simovic3rd March 2009Nice lesson Alejandro. Chord progression is great !
kaznie_NL3rd March 2009i'm boosting my theory nowadays.... It's not simple
so I know how good this is xD
Bogdan Radovic3rd March 2009Great work Alejandro! Video quality is amazing too! ![]()
Piotr Kaczor3rd March 2009Cool lesson, Alejandro! Useful as always.
Gerardo Siere3rd March 2009Great lesson Alejandro.
Alejandro Pinero3rd March 2009Thanks all for the comments!!
Alejandro
Carlos Carrillo3rd March 2009
Cool!!! great lesson Ale!!
Aleksander Sukovic3rd March 2009An interesting topic. Great video quality btw. ![]()
Ivan Milenkovic4th March 2009Very cool topic mate, sounds great! ![]()
Muris Varajic4th March 2009Great and essential stuff Alejandro. ![]()
Alejandro Pinero4th March 2009thanks all it´s a pleasure!
alejandro
Emir Hot4th March 2009very cool
Sinisa Cekic5th March 2009Sounds very good Alejandro,smooth and relaxing phrases,i like it !!
Alejandro Pinero6th March 2009thanks Sinisa but is a simple exersice...
Alejandro
Dejan Farkas10th March 2009Sounds cool, simple and effective ![]()





Hi GMC! Welcome to this second art of this improvising series.
Today we will do a similar exercise than the last one but with the minor 7th arpeggios. The idea of this exercise is that we could see the box of any arpeggio in the moment that we have to play this arpeggio. This exercise will help you to play the note that you want to hear at every moment.
The first step in this case is studying the minor arpeggios boxes, then we will choose four chords; Cm7, Ebm7, Abm7 and Bbm7.
We start playing at the fifth string (to the front) with the Cm7 arpeggio four times, then we will playing Em7 arpeggio starting at the fifth (to the back) string too, then Abm7 arpeggio starting at the sixth string (to the front) and the last one Bbm7 arpeggio starting at the sixth string (to the back).
The idea of the exercise is to connect one arpeggio with the next by the nearest note using different ways.
It isn't very important the tab of what I'm improvising in these series. I'm just showing different exercise's examples. That's why you'll hear many different variations in the video parts 3, 4 and 5.
Remember that you can do this exercise in different parts of the neck!
C min7: