Alex8718th October 2008Great lesson Jerry. Love this series
ErikEklund18th October 2008love it!
Piotr Kaczor18th October 2008Very interesting lesson Jerry!
Emir Hot18th October 2008Nice one Jerry. I love the tapping
Bogdan Radovic18th October 2008Very good series Jerry!! Lots to learn from these!
Muris Varajic18th October 2008Great progression and execution Jerry.
Jerry Arcidiacono18th October 2008Thank you guys
Pedja Simovic18th October 2008Love it JErry!
Nazgul18th October 2008This is very useful stuff. Thanks, Jerry!
Kuba Szafran18th October 2008Cool stuff, lack list is awesome
!
chmilew18th October 2008So groovy
well done Jerry 
Hisham Al-Sanea18th October 2008excellent Jerry.welldone
- Jerry Arcidiacono19th October 2008
Thanks
kaznie_NL19th October 2008Nice Jazz Jerry!!
Ivan Milenkovic19th October 2008SOunds great Jerry, good job mate
- Jerry Arcidiacono19th October 2008
Thank you guys.
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- Difficulty: 5
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Fingerpicking Smooth...
fingerpicking, chords, substitutions, jazz, chord melodyby Vasilije Vukmirovic - Difficulty3
I Got Rhythm Guitar...
funk, funky, funk rhythm, triplets, right hand dexterity, precision, funky riffing, chords, muting by Joe Kataldo - Difficulty4
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- Difficulty4
- Difficulty4
Jazz Notes 21: Minor...
Jazz Minor Blues, Melodic Minor, Blues, Altered, Superlocrianby Jerry Arcidiacono - Difficulty6
Jazz Notes 22:...
Playing outside, Duke Ellington, It Don't Mean A Thing, Jazz, Improvisationby Jerry Arcidiacono
- Lesson
- My notes
- Statistics
Hi GMC, in the previous lessons we have seen different concepts about chords, inversions and voicing. I made this lesson to show you an effective way, using chords and simple lines, to create a jazzy sound. Usually, in this style, the jazz player is playing some chords with the melody line on top.
In this lesson there is no spoken part, because we have seen the chord theory in the previous lessons.
Check "Jazz Notes 1: Building Chords", "Jazz Notes 7: Finding Voicings" and "Jazz Notes 8: Extended chords".
The fingerpicking technique can help with some voicing - as example when we must skip some string to play a chord - and it's also a great tool to create interesting bass lines with the thumb. About this topic, check also my old Walking Bass Lesson.
Enjoy!Related lessons:
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- 2Difficulty3
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- 7Difficulty5
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- 10Difficulty5
- 11Difficulty4
- 12Difficulty5
- 13Difficulty4
Jazz Notes 13:...
jazz, arpeggios, sweep picking, economy picking, diatonic, swingby Jerry Arcidiacono - 14Difficulty6
Jazz Notes 14:...
Jazz, Rhythm Changes, Anatole, George Gershwin, Swing, Chromaticism, Jazz Sound, I Got Rhythmby Jerry Arcidiacono - 15Difficulty3
Jazz Notes 15: Chord...
Jazz, Chord Substitutions, Tritone substitution, Jazz chordsby Jerry Arcidiacono
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- 16Difficulty5
Jazz Notes 16:...
Diminished scale, whole-tone scale, Jazz, diminished chord, dominant 7th b9 chordby Jerry Arcidiacono - 17Difficulty5
Jazz Notes 17:...
jazz, altered, ultralocrian, lydian dominant, mixolydian, bluesby Jerry Arcidiacono - 18Difficulty4
Jazz Notes 18: Latin...
Latin Jazz, Bossa Nova, Samba, Jazz, Classical Guitar, Finger-pickingby Jerry Arcidiacono - 19Difficulty7
Jazz Notes 19: Bebop...
Charlie Parker, Bebop, Ornithology, Jazz, Scales, Improvisation by Jerry Arcidiacono - 20Difficulty4
- 21Difficulty4
Jazz Notes 21: Minor...
Jazz Minor Blues, Melodic Minor, Blues, Altered, Superlocrianby Jerry Arcidiacono - 22Difficulty6
Jazz Notes 22:...
Playing outside, Duke Ellington, It Don't Mean A Thing, Jazz, Improvisationby Jerry Arcidiacono
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