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Alex872nd March 2009Nice lesson Joe.
The fourth is definitly not a strong note for soloing in major ![]()
Muris Varajic2nd March 2009Cool topic Joe. ![]()
Pedja Simovic2nd March 2009Cool lesson Joe, whats that sound for keys you used ?
Gerardo Siere2nd March 2009Very nice solo Joe.
Piotr Kaczor2nd March 2009Cool topic and playing, Joe!
-Zion-2nd March 2009lovely melodic solo.. great
Ivan Milenkovic2nd March 2009Sounds sweet mate, great job ![]()
Hisham Al-Sanea2nd March 2009wonderful lesson joe.
Joe Kataldo2nd March 2009Thanks Guys
key is EVP73 - piano fender VSTi
Bogdan Radovic3rd March 2009Very good solo lesson Joe! ![]()
Zsolt Galambos3rd March 2009Nice melodies there, Joe!
Emir Hot3rd March 2009Great lesson Joe
David Wallimann3rd March 2009This is a great topic Joe!
Very smooth playing man!
Sounds like you should get a job writing music for Books a Million stores, they always play that kind of stuff in there! :-)
Nazgul3rd March 2009Great! Gonna learn this one, cause this is so relaxed. ![]()
kaznie_NL3rd March 2009Sounds very cool Joe!
Carlos Carrillo3rd March 2009Nice lesson Joe.
Alejandro Pinero4th March 2009wonderfull melody!!!
Joe Kataldo4th March 2009David, you mean broadcasting music? cool idea...why not
thanks
P.S.
Maybe the weather channel too ![]()
Sensible Jones4th March 2009Great lesson Joe!! Such a simple yet effective use of Scales!! Bookmarked!!! ;-)
Sergio Dorado5th March 2009Love the backing and guitar tone. Great lesson!
Sinisa Cekic5th March 2009Excellent tone and nice backing as well ![]()
Joe Kataldo6th March 2009Cool






Major Soloing no 4th - C Major - 75 Bpm
Hi guys Joe Kataldo here, in today's lesson I wanna show you a trick/scale to easily improvise over a major tonalities, sometime hostile land to rock-minor-oriented guitar players.
So what is this Major scale no 4th?
Nothing special a major scale (ionian mode) without the only avoid (handle with care) note this mode has, the 4th indeed.
In C major:
1-2-3-5-6-7
C-D-E-G-A-B
This create a mistake-proof six note scale, that works flawless on major tonalities, and so will do the whole solo using this scale, to show you his application over a major I - V repeating chord progression in C major:
I V
|: Cmajor7 | F/G :|
Because the 4th is missing, in theory you could use this scale on lydian progressions too, but this time the #4 is the most interesting note to play, and missing it, will not express the mode mood at all.
Se you next lesson,
Joe Kataldo.