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Toni Suominen29th January 2009Nice one Alejandro! 
Bogdan Radovic29th January 2009Very useful lesson !!
berko29th January 2009Cool stuff!
I have 1 question though:
"We use this mode for example when we play over a secondary dominant of the IIm of a major key or when we play a secondary dominant of the IIIm of a major scale."
So what's a secondary dominant? Is it 4th degree (or sub-dominant) or something else?
Thanks in advance!
Nazgul29th January 2009Great lesson Alejandro!
Great lesson Alejandro. I just don't know why there is Bb in this one when you have B, which represents the major type scale which mixolydian is. ?
Emir Hot29th January 2009Extremely useful lesson. Great job
Alejandro Pinero29th January 2009"We use this mode for example when we play over a secondary dominant of the IIm of a major key or when we play a secondary dominant of the IIIm of a major scale."
Hi Berko, we could use this scale in both cases.
The secundary dominant is the fifth chord (Major chord with minor seventh) by any chord of the scale . The seventh grade of a major scale has no dominant because the seventh grade is not a stable chord.
The first chord of a major scale has no secundary dominant because this chord have a naturaly dominant( the fifth grade of the scale)
Alejandro Pinero29th January 2009I hope this help you Berko!!
See you!
Alejandro Pinero29th January 2009thanks all for the comments!
Alejandro
Alejandro Pinero29th January 2009Thanks all for the comments!
Alejandro
Vasilije Vukmirovic29th January 2009Nice!
Is that Gibson 335?
Muris Varajic29th January 2009Good job Alejandro!
berko29th January 2009Thanks Alejandro for your reply, it's clear now 
David Wallimann29th January 2009Excellent lesson man!
I love these kind of lessons, they really expand your fretboard knowledge. Thanks!
Ivan Milenkovic29th January 2009Very cool harmonizations man
Piotr Kaczor29th January 2009Great Alejandro! I need these kind of lessons. Thanks!
Alejandro Pinero30th January 2009Hi Vasilije, Is not a Gibson, is an Epiphone Sheraton II
Alejandro
Alejandro Pinero30th January 2009Thanks for the comments !!
Alejandro
Carlos Carrillo30th January 2009muy bien ale!!
Dejan Farkas4th February 2009Very nice
This mode is composed by the root, minor second, minor third, major third, just fourth, just fifth, minor sixth and minor seventh.
Hi GMC! Welcome to this new lesson. Today we will talk about the myxolidian b9b13. This mode is composed by the root, minor second, minor third, major third, just fourth, just fifth, minor sixth and minor seventh.
The myxolidian b9b13 has even more tension than the myxolidian. If we play this scale we have, for example, the minor second (9ºb, Ab) that will be resolve to the fifth of the next chord, we have the minor sixth (13º b Eb) that will be resolve to the third or to the ninth of the next chord, don´t forget the third (the note B) that will be resolve to the Root of the next chord and the seventh that will be resolve to the third of the next chord.
We use this mode for example when we play over a secondary dominant of the IIm of a major key or when we play a secondary dominant of the IIIm of a major scale.
I hope you enjoy this lesson!
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