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Sinisa Cekic22nd April 2009This is a great lesson,tnx David ![]()
Sensible Jones22nd April 2009This should certainly help with some peoples confusion on this subject!! Great stuff David!!! ![]()
ItsMe22nd April 2009very helpfull
kaznie_NL22nd April 2009Thanks David!
Pedja Simovic22nd April 2009Wonderful backing track and interesting lesson David
berko22nd April 2009Incredibly useful! Awesome backing man! Instant BOOKMARK for me...
David Wallimann22nd April 2009Thanks a lot guys!
I'm glad you find this useful! :-)
Piotr Kaczor22nd April 2009Interesting and useful, David!
Lian Gerbino22nd April 2009so cool david, well done ![]()
Bogdan Radovic22nd April 2009Good job on the lesson David! ![]()
Sergio Dorado22nd April 2009Cool chords, David!
Dejan Farkas22nd April 2009Nice and useful ![]()
Carlos Carrillo23rd April 2009I love your style David! Very useful lesson! ![]()
David Wallimann23rd April 2009Thanks folks!
Ivan Milenkovic23rd April 2009great stuff David, chord changes are cool! ![]()
Marcus Siepen26th April 2009great lesson David, and very useful
Emir Hot28th April 2009very educational David. Great stuff






Welcome to the Nashville number system lesson! This system has been used by many musicians across the world and should be part of your musical knowledge too.
In order to understand how the system works, we need to be comfortable with the harmonization of a Major scale. Let's work in the key of A Major and create chords starting from each one of the scale's notes.
We'll create four note chords using the root, 3rd, 5th and 7th of the scale as follow:
A Major scale:
A-B-C#-D-E-F#-G#
Chord 1 Maj7
(A-C#-E-G#)
Chord 2 min7
(B-D-F#-A)
Chord 3 min7
(C#-E-G#-B)
Chord 4 Maj7
(D-F#-A-C#)
Chord 5 7
(E-G#-B-D)
Chord 6 min7
(F#-A-C#-E)
Chord 7 min7(b5)
(G#-B-D-F#)
Because of the fact that the formula for a Major scale always stays the same, we will find the same types of chords no matter what key we work in. In other words, the 1st chord of a major scale will always be Maj7, the second chord will always be min7, and so forth.
Whenever writing a chart with that system, we'll use roman numbers. We'll use Capital numbers for Major chords and regular letters for minor chords.
We can now replace a chord progression like Bmin7-E7-AMaj7 by ii-V-I
Following are the fingerings corresponding to the placement of these numbers within the scale followed by some suggested chord positions.