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kaznie_NL23rd May 2009You've got a really cool jazzy tone! Great new lesson Vasilije!
Sinisa Cekic23rd May 2009Cool lesson,very often scale in this area 
Pedja Simovic23rd May 2009Cool lesson Vasilije, interesting ideas !
Emir Hot23rd May 2009Fale jedno dva trilera i skoro ko Saban Bajramovic
Svaka cast majstore
berko23rd May 2009Wow, love the tone and the rhythm! Excellent work man, this fusion of jazz and flamenco is really cool
Alexiaden9323rd May 2009Very oriental-sounding ! Very soothing melody 
Muris Varajic23rd May 2009Rumba, idemo.
Ivan Milenkovic23rd May 2009Very cool jazz ideas in here man!
Mark.23rd May 2009Nice, gonna peel this one like a onion 
sigma723rd May 2009that was cool man, what scale was used? im going to learn this next...Great Lesson man!
Zsolt Galambos23rd May 2009Never heard an oriental jazz...sounds very cool
Good job man!
Sensible Jones23rd May 2009Great stuff!! I can definitely hear Al in there!!!
Ramiro Delforte23rd May 2009Nice Jazzy Reggaeton!
Vasilije Vukmirovic24th May 2009Thanks guys!
Thanks Emir for comparing me with gypsy king
Sergio Dorado24th May 2009Cool lines!
kjutte26th May 2009Very cool!
FilipofCroatia5th June 2009I love this man - well done
Should be made into a song
Hi GMC!
This is a piece based on chord progression that is actually more “flamenco”, but can be also used to create oriental atmosphere, both progression and scales used are typical for Al di Meola! We basically have two chords, B7 and C major, though various improvisational solutions can be applied, like, in the need of the tune I play F# min7-5 over C, which demonstrates how you’re never limited by harmony even if it’s major keys, or two-chord progressions. When you improvise over this chords try to use E minor scales, without C tone(6th degree in scale), and also try to use B7 arpeggio with added E tone!
Regards!
Vasilije Vukmirovic
