Sweeps & Picking over Diatonic Arpeggios Lesson

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- midnight21st November 2008
  This should be helpful for me, nice lesson!
- Ivan Milenkovic21st November 2008
  Nice exercises for fusion stuff Joe
- Sinisa Cekic21st November 2008
  That's very useful lesson,bravo Joe !
- Joe Kataldo21st November 2008
  Thanks Guys
- Nazgul21st November 2008
  Great exercises, thanks Joe!
- Capt.Z21st November 2008
  Very helpful excercises!!
- Emir Hot21st November 2008
  Very cool lesson
- Bogdan Radovic21st November 2008
  Excellent exercises Joe!
- fatb0t21st November 2008
  Always useful lessons from you man! I can't wait to learn this one, even though I should really be working on rhythm I really gotta learn this one.
- Piotr Kaczor21st November 2008
  Useful, helpful and interesting as always
- kaznie_NL21st November 2008
  Thnx Joe, nice combination of theory and technique!
- Kuba Szafran21st November 2008
  Cool stuff Joe, interesting combination of sweeping and arpeggios .
- Hisham Al-Sanea21st November 2008
  nice one joe..helpful
- Gerardo Siere22nd November 2008
  Very nice licks.
- Vinod Saranga22nd November 2008
  Nice excercises Joe
- Joe Kataldo22nd November 2008
  Thanks
  
  As usual for any questions write in my board
- Dejan Farkas22nd November 2008
  Nice lesson
- Marcus Siepen25th November 2008
  great lesson
- Sergio Dorado26th November 2008
  Nice arpeggios. Sounds really good!
- Jose Mena26th November 2008
  Nice sweeps, useful info, how the same stuff played in different note durations can have a totally different feel
- Joe Kataldo14th December 2008
  yep

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- Tags: Sweeps, Picking, Diatonic, 7th, Arpeggios
Hi Guys, Joe Kataldo here, in this lesson I'll show you how to combine sweep, alternate picking and seventh arpeggios to create monster licks

Sweeps & Picking over Diatonic Arpeggios
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The musical study apply the same patter, sweeps+picking, to all the C major scale arpeggio shapes:

Cmaj7 - Dm7 - Em7 - Fmaj7 - G7 - Am7 - Bm7/5b

moving through modes diatonically from ionian to Locrian.

Techniques Focus
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Three notes of the arpeggio are sweeped, 1st, 3rd and 5th, then the 7th, 6th and back to 5th are played with alternate picking starting with an upstroke and then ending with a down stroke to the next arpeggio root.

The so created patter moves smoothly from mode shape to mode up to the the fifteen fret.

Theory Focus
------------

Two main rhythmic variation are applied to the same patter:

Sixteenth notes Triplets

Sixteen Notes

Pro Tips
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Best results are given when only a small part of the pattern is played, combined with other techniques in your solos.

Se you Next Lesson,

Joe Kataldo.

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