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Carlos Carrillo8th April 2009nice lesson! Very useful! (a muting device such as a hair band in order to mute all the unnecessary noises caused by the strings)A great tip! 
Sensible Jones8th April 2009Great Lesson David!!! B/Marked!!! 
kaznie_NL8th April 2009Very clean playing David! Great!!
kaznie_NL8th April 2009Hey David, I don't see your Imac on the first video! How is it with the Mac?
David Wallimann9th April 2009Thanks a lot guys!
This lesson was recorded a few months ago, I didn't have a Mac then! I think I'll keep recording with my camera though, maybe edit on Mac.
But I love my new mac though, thanks for asking! :-)
Bogdan Radovic9th April 2009Good work on the lesson David!
Ivan Milenkovic9th April 2009Wow, nice one man! Some really cool arpeggio shapes here. Great tap technique David.
Gerardo Siere9th April 2009Amazing chops David!
Marcus Siepen14th April 2009great lesson
Sinisa Cekic14th April 2009Wohoo ,you nailed this one
David Wallimann15th April 2009Thanks a lot!
Glad you liked this lesson! :-)
Dejan Farkas18th April 2009Awesome
Mister_Riff23rd June 2009Amazing lesson
The beginning had a Greg Howe type of feel, which was awesome
David Wallimann23rd June 2009
Welcome to the second lesson in the extended tapping series! In the previous lesson, we built some extended tapping arpeggios working with minor chords. Today we will add to the mix some dominant chords. As always with this type of lesson, spend time understanding why the different licks work over the chords offered.
On the technical point of view, it might be easier to use a muting device such as a hair band in order to mute all the unnecessary noises caused by the strings. It will be easier for you to start by memorizing the left hand fingering to then concentrate on the tapped notes.
Take it slow, be patient and don't rush anything. Build your chops with a very strong and clean technique, speed will follow automatically.
