Carcassi Arpeggio Studies

Click images for videos - green are free
1
2
3
4
5
6

 

Bookmark this

Backing Tracks

Tab

Guitar pro tab Guitar pro tab (?)

Members practicing this lesson:
astuke


   Hi, GMC! Some of you requested me for right hand lessons, so I picked up the famous Carcassi arpeggio studies.

Matteo Carcassi was 19th century guitarist from Italy, and he enjoyed international success in France and Germany. His classical guitar method became so popular, and it’s still in use.

When I started the classical guitar, I used to practice these everyday. Original studies include 22 arpeggio patterns. I have chosen 12 among them.

In the following lessons, I am showing 2 patterns each at a half tempo. Study them until you memorize. The left hand is simple C and G7 chord. If you get tired of it, you can change them to whatever chord you like. I often do my arpeggio exercises with open strings. It doesn’t sound pleasant, but I can focus on the right hand without tiring my left hand.

In each arpeggio pattern, I am showing "PLANTING" pattern.
Planting is an essential technique for secure and smooth right hand movement.
At first, those planting patterns may drive you crazy, but once you master them, you will be amazed how much you can control your finger and move them fast!

In general, your right hand must be steady, and only your thumb and fingers should be moving from the knuckle joints.

Work hard!



     Lesson Questions, Feedback & Comments



Kristofer Dahl
post 16th October 2007


GMC Founder & Rocker


If acoustic gmcers only got to one single right hand lesson, it should be this one! biggrin.gif Also - thanks for the cool close-ups Kosei! biggrin.gif
Muris Varajic
post 16th October 2007


Instructor


Great lesson and close look Kosei,thanks! smile.gif
PlayAllDay
post 16th October 2007


Member


Very good lesson Kosei and some lovely playing - excellent biggrin.gif
krudtaa
post 16th October 2007


Member


great righthand lesson. thanks
Vinod Saranga
post 16th October 2007


Acoustic Instructor


Great Kosei,

It will be very helpful to those who are intersted in fingerpicking and those who wish to aquire a good classical guitar right hand technique. smile.gif
Understudy
post 17th October 2007


Member


Great stuff, I love it. Now all I need is for the wife to buy me a classical guitar. I'll have to continue using the acoustic for now. Kosei more lessons like this please !!!
Kosei Kubota
post 17th October 2007


Classical Instructor


Thank you, all.

I hesitated to post this lesson because some may think it is boring, but I am glad many of you like it.

My philosophy is that any exercises or studies could be fun when they deliver result.

KK
Ben N
post 20th October 2007


Instructor


nice i like it smile.gif and good video angles
Ben N
post 20th October 2007


Instructor


nice i like it smile.gif and good video angles
Kosei Kubota
post 22nd October 2007


Classical Instructor


QUOTE (putssi@walla.com @ Oct 19 2007, 07:26 PM) <{POST_SNAPBACK}>
nice i like it smile.gif and good video angles


Thanks. I've been trying different angles for my left hand and right hand. I found it beneficial for my own practicing, too.

KK
Guernseyman
post 7th December 2007


Member


Hi Kosei, I need to practice these. Please can explain a little more about the technique of planting.

Jason
Kosei Kubota
post 14th December 2007


Classical Instructor


QUOTE (Guernseyman @ Dec 7 2007, 02:10 PM) <{POST_SNAPBACK}>
Hi Kosei, I need to practice these. Please can explain a little more about the technique of planting.
Jason


Hi, Jason.
Sorry for the late reply.
Planting is preparing the finger tips on the strings in advance.
Let's say you are playing p-i-m-a arpeggio on D, G, B, E strings.
As you play p on D string, plant i on G string, m on B string, a on E string at the same time.
When you play i on G string next, make sure to leave m and a on each string (do not lift up).
Then, play m on B string, but leave a on E string.
At last, play a on E string and as you do it, plant p on D string.

In this way, your finger (or thumb) is always touching the string, and it gives you the maximum stability and power.

It is difficult to tell it in words, but you can see me on the 5th clip of this lesson.

Good luck!

Kosei
Plaidman
post 22nd December 2007


Member


Kosei,

Your playing and your lessons are absolutely fantastic. Thank you very much for sharing your skills here.

I've always been daunted by classical music because of how intricate and difficult it is to play. Your lessons are very encouraging and have inspired me to give it a try.

Thanks,

Joel
Kosei Kubota
post 22nd December 2007


Classical Instructor


QUOTE (Plaidman @ Dec 22 2007, 05:11 PM) <{POST_SNAPBACK}>
Kosei,
Your playing and your lessons are absolutely fantastic. Thank you very much for sharing your skills here.
I've always been daunted by classical music because of how intricate and difficult it is to play. Your lessons are very encouraging and have inspired me to give it a try.
Thanks,
Joel


Hi, Joel!
Thank you for your comments. It is most rewarding for me to know someone is picking up a classical guitar watching my lessons! Keep in touch!

KK
shellshock1911
post 2nd January 2008


Member


Been looking for a straightforward right-hand lesson, now I found it, love it.
Kosei Kubota
post 3rd January 2008


Classical Instructor


QUOTE (shellshock1911 @ Jan 2 2008, 03:31 PM) <{POST_SNAPBACK}>
Been looking for a straightforward right-hand lesson, now I found it, love it.


Hi, Shellshock!

It's simple, yet effective. Hope you get the most out of it!!

KK
shellshock1911
post 4th January 2008


Member


What is the best way to practice this with a metronome? Triplets? Eight-Notes? Sixteenths?
Kosei Kubota
post 5th January 2008


Classical Instructor


QUOTE (shellshock1911 @ Jan 3 2008, 07:57 PM) <{POST_SNAPBACK}>
What is the best way to practice this with a metronome? Triplets? Eight-Notes? Sixteenths?


Yes, I always use a metronome with this kind of practice.
Please refer to each video for metronome count (Triplets, 1/8 notes, etc..)
A tip to know is that a metronome is very helpful to keep you at a slow tempo.
Slow practice is important for technique, but people tend to play at a "comfortable" tempo.
Slow practice should be slower than your comfortable tempo, and that's when a metronome become useful.
Carlos Carrillo
post 4th May 2008


Instructor


hey Kosei!!!

nice lesson!!!


Login to the forum to write a comment.
Search My Bookmarks

 
 

© 2007 - 2008 Rock My Web AB