• Tags:  Fernando sor, Op9, Coda, Arpeggios, Slurs, Shifts

Hello everyone. Finally, today we are finishing this great piece. This last part has it all in miniature, arpegios, slurs, shifts. The most difficult aspect may be the right hand fingering: there are some strechs, what I do is streching my "a" finger and let the others in position. Be shure to check out right hand fingerings in the score, specially where use of thumb is indicated, I tried to make the most efficient fingering for speed and confort that I could make. The melody is in the top note and it should be played legato. Holding uniform even triplets is a must.

To mark the top notes in the arpegio I don´t use rest stroke, instead I make a very deep free stroke because my nail stiffness and the form of my fingers allow me to. If it doesn´t work for you, switch to rest stroke.

There are tabs, and backing track, and if you check the jam track I made a little surprise for you.

Notation:

Right hand

i= index

m= medium

a= ring

p= thumb


Left hand

1= First finger

2= Second finger

3= Third finger

4= Fourth finger

Hope you like it. See you next time!

Related lessons:

• • 1

    Difficulty5

    

    Fernando Sor Op9

    Mozart, Magic Flute by Gerardo Siere
  • 2

    Difficulty6

    

    Fernando Sor Op9 Intro

    Fernando Sor, Sor, The Magic Flute, Mozartby Gerardo Siere
  • 3

    Difficulty6

    

    Fernando Sor Op9...

    magic flute, fernando sor, op9, slur, dampingby Gerardo Siere
• • 4

    Difficulty4

    

    Fernando Sor Op9...

    Fernando Sor, Op9, Variation 2, position shifting, string dumpingby Gerardo Siere
  • 5

    Difficulty5

    

    Fernando Sor Op9...

    Fernando Sor, Op9, Variation 3by Gerardo Siere
• • 6

    Difficulty6

    

    Fernando Sor Op9...

    Fernando Sor, Op9, Variation 4, position shifting, string dumpingby Gerardo Siere
  • 7

    Difficulty6

    

    Fernando Sor Op9...

    Fernando Sor, Op 9, 5, coordination, both handsby Gerardo Siere